Wood nymph

Definition and stakes

Mrs. J. H. Philpot The Sacred Tree; or, the tree in religion and myth

The son of a nymph, Pan is called in the Classics “god of the wood,” “companion of kids,” “goatherd.” He is represented with horns and goat’s legs, standing beside a sacred oak or pine, a fir-wreath on his head, and a branch in his hand. He leads the revels of the satyrs, pipes and dances amongst the 57 wood-nymphs under the trees, and woos a pine-tree personified as Pithys. Like other wood-spirits he protects the herds, and, as befits a demon on the way to apotheosis, is for the most part friendly to man.
Source: Gutenberg

Portrait of Robert Williams Buchanan Robert Williams Buchanan Foxglove Manor: A Novel, Volume 2…

Just beyond me, there was a broad-green road through the woodland, deeply carpeted with soft grass, but marked here and there with the broad track of a wood-waggon; and on the side of this solitary road, on a rude seat fashioned of two oaken stumps and a rough plank, the nymph was sitting. She wore a light dress of some soft material, a straw hat, a country cloak, and gloves of Paris kid—a civilized nymph, as you perceive! To complete her modern appearance, she carried a closed parasol, and a roll which looked like music.
Source: Gutenberg

Portrait of Mrs. Loudon Mrs. Loudon Mrs. Loudon's Entertaining Naturalist

The period of transformation being come, the pupa goes to the water-side, and fixes on a plant, or sticks fast to a piece of dry wood, in which position it remains for some little time, when the skin of the nymph splitting at the upper part of the thorax, the winged insect issues forth gradually, throws off its slough, expands its wings, flutters, and then flies off with gracefulness and ease. The elegance of its slender shape, the richness of its colours, the delicacy and resplendent texture of its wings, render it a beautiful object.
Source: Gutenberg

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