Arthur Hamilton Smith

“ His work may be considered from the point of view of design and from that of execution. As an artist he has completely reconstructed from the foundation the scheme of design which had fed the poverty-stricken imagination of the last generation of goldsmiths. He had recourse to the art of the past, but to the spirit rather than the letter, and to nature for many new elements of design—free double curves, suave or soft ”

“ In the tombs of the Frankish and kindred Teutonic tribes between the 5th and 9th centuries the crossbar of the T becomes a yet more elaborately decorated semicircle, often surrounded by radial knobs and a chased surface. The base of the shaft is flattened out, and is no less ornate (fig. 13) . At the beginning of this period the fibula of King Childeric (A.D. 481) has a singularly complicated pin-fastening.
So far we have traced the history of the safety-pin form of brooch. ”

“ The goldsmiths of the Italian republics must have produced works of surpassing excellence in workmanship, and reaching the highest point in design as applied to handicrafts of any kind. The use of enamels, precious stones, niello work and engraving, in combination with skilful execution of the human figure and animal life, produced effects which modern art in this direction is not likely to approach, still less to rival. ”

“ If his design is a little heavier, it is not less beautiful in imagination or less masterly in execution. Graceful, ingenious, fanciful, elegant, fantastic by turns, his objects of jewelry and goldsmithery have a solid claim to be considered créations d’art. ”

“ With the introduction of the intricate system of ornament described above, the frog-like animal is gradually superseded by purely decorative lines. The convex bowls are then worked à jour with a perforated upper shell of chased work over an under shell of impure bronze, gilt on the convex side. These outer cases are at last decorated with open crown-like ornament and massive projecting bosses. The geographical distribution of these peculiar brooches indicates the extent of the conquests of the Northmen. They occur in northern Scotland, England, Ireland, Iceland, Normandy and Livonia. ”

“ Greek, Etruscan and Roman ornaments partake of very similar characteristics. Of course there is variety in design and sometimes in treatment, but it does not rise to any special individuality. Fretwork is a distinguishing feature of all, together with the wave ornament, the guilloche, and the occasional use of the human figure. The workmanship is often of a character which modern gold-workers can only rival with their best skill, and can never surpass. ”

“ Between 1867 and 1886 Murray worked actively under Newton's direction, and acquired minute familiarity with the whole collection of Greek and Roman antiquities. On 13 Feb. 1886 he succeeded Newton as keeper of the department of Greek and Roman antiquities. The recent removal of the natural history collections to the new buildings in Cromwell Road, Kensington, the completion of the now building known as the 'White Wing' at Bloomsbury, and other alterations, had greatly increased the available space for the exhibition of the collections. ”

“ The Hunterston brooch, which was found at Hawking Craig in Ayrshire, is a well-known example of this style. Silver brooches of immense size, some having pins 15 in. in length, and the penannular ring of the brooch terminating in large knobs resembling thistle heads, are occasionally found in Viking hoards of this period, consisting of bullion, brooches and Cufic and Anglo-Saxon coins buried on Scottish soil. In medieval times the form of the brooch was usually a simple, flat circular disk, with open centre, the pin being equal in length to the diameter of the brooch. ”

“ Engraving is a simple process in itself, and diversity of effect can be produced by skilful manipulation. An interesting variety in the effect of a single ornament may be produced by the combination of coloured gold of various tints. This colouring is a process requiring skill and experience in the manipulation of the materials according to the quality of the gold and the amount of silver alloy in it. ”

“ The only occasions on which he took part in work in the field were in 1870, when he visited the site of Priene with Newton, and in 1896, when he was temporarily in charge of the excavations at Enkomi (Salamis) in Cyprus. ”

“ The Birmingham trade would appear to have had its origin in the skill to which the workers in fine steel had attained towards the middle and end of the 18th century, a branch of industry which collapsed after the French Revolution.
Modern jewelry may be classified under three heads: (1) objects in which gems and stones form the principal portions, and in which the work in silver, platinum or gold is really only a means for carrying out the design by fixing the gems or stones in the position arranged by the designer, the metal employed being visible only as a setting ”

“ In order to give the double spring strength and protection it was given a metal core, and a containing tube. When the core had been provided the pin was no longer necessarily a continuation of the bow, and it became in fact a separate member, as in a modern brooch of a non-safety-pin type, and was no longer actuated by its own spring. ”

“ The producer of silver work only manufactures silver ornaments, and so on throughout the whole class of plated goods.
It is the retailer who, if he is unprincipled, takes advantage of the ignorance of the buyer and sells for gold that which is in reality an imitation, and which he bought as such. The imitations of old styles of jewelry which are largely sold in curiosity shops at foreign places of fashionable resort are said to be made in Germany, especially at Munich. ”

“ II. The bow is thickened towards the middle, so as to assume the “leech” shape, or it is hollowed out underneath, into the “boat” form. The catch-plate is only slightly turned up, but it becomes elongated, in order to mask the end of a long pin (fig. 3) .
III. The catch-plate is flattened out as in group I., but additional convolutions are added to the bow (fig. 4) .
IV. The bow is convoluted (but the convolutions are sometimes represented by knobs) ; the catch-plate develops as in group II. (fig. 5) . ”

“ It must be admitted that many of the best artists who have devoted themselves to jewelry have been more successful in design than in securing the lightness and strength which are required by the wearer, and which were a characteristic in the works of the Italian craftsmen of the Renaissance. ”

“ When stones are to be set, or when they form the principal portions of the design, the gold or other metal has to be wrought by hand so as to receive them in little cup-like orifices, these walls of gold enclosing the stone and allowing the edges to be bent over to secure it. Setting is never effected by cement in well-made jewelry. ”

“ The best and most costly hand-made jewelry produced in England, whether as regards gold work, gems, enamelling or engraving, is made in London, and chiefly at Clerkenwell. A design is first made with pencil, sepia or water colour, and when needful with separate enlargement of details, everything in short to make the drawing thoroughly intelligible to the working jeweller. ”

“ During the 17th and 18th centuries we see only a mechanical kind of excellence, the results of the mere tradition of the workshop—the lingering of the power which when wisely directed had done so much and so well, but now simply living on traditional forms, often combined in a most incongruous fashion. Gorgeous effects were aimed at by massing the gold, and introducing stones elaborately cut in themselves or clustered in groups. Thus diamonds were clustered in rosettes and bouquets ”

“ It is in these steel dies that the skill of the artist die-sinker is manifested. Brooches, ear-rings, pinheads, bracelets, lockets, pendants, &c., are struck out by the gross. This is more especially the case in silver and in plated work—that is, imitation jewelry—the base of which is an alloy, afterwards gilt by electro-plating. ”

“ With these ornaments imitation stones in paste and glass, pearls, &c., are used, and it is remarkable that of late years some of the best designs, the most simple, appropriate and artistic, have appeared in imitation jewelry. It is only just to those engaged in this manufacture to state distinctly that their work is never sold wholesale for anything else than what it is. The worker in gold only makes gold or real jewelry, and he only makes of a quality well known to his customers. ”

“ The jewels of the Roman empire are marked by a greater use of large cut stones in combination with the gold, and by larger surfaces of plain and undecorated metal. The adaptation of imperial gold coins to the purposes of the jeweller is also not uncommon. ”

“ The gold to be used is generally supplied by the patron or employer, and is frequently in gold coin, which the travelling jeweller undertakes to convert into the ornaments required. He squats down in the corner of a courtyard, or under cover of a veranda, lights his fire, cuts up the gold pieces entrusted to him, hammers, cuts, shapes, drills, solders with the blow-pipe, files, scrapes and burnishes until he has produced the desired effect. If he has stones to set or coloured enamels to introduce, he never seems to make a mistake ”

“ Personal ornaments appear to have been among the very first objects on which the invention and ingenuity of man were exercised; and there is no record of any people so rude as not to employ some kind of personal decoration. Natural objects, such as small shells, dried berries, small perforated stones, feathers of variegated colours, were combined by stringing or tying together to ornament the head, neck, arms and legs, the fingers, and even the toes, whilst the cartilages of the nose and ears were frequently perforated for the more ready suspension of suitable ornaments. ”

“ Of general colouring it may be said that the object aimed at is to enhance the appearance of the gold by removing the particles of alloy on the surface, and thus allowing the pure gold only to remain visible to the eye. The process has, however, gone much out of fashion. It is apt to rot the solder, and repairs to gold work can be better finished by electro-gilding. ”

“ Modern Jewelry.—So far we have gone over the progress and results of the jeweller’s art. We have now to speak of the production of jewelry as a modern art industry, in which large numbers of men and women are employed in the larger cities of Europe. ”

“ A small pendant locket (k) is of rock crystal, with the cross of Santiago in gold and translucent crimson enamel; it is 16th or 17th century Spanish work. A pretty ear-ring of gold open scroll work (m) , set with minute diamonds and three pendant pearls, is Portuguese of 17th century, and another ear-ring (n) of gold circular open work, set also with minute diamonds, is Portuguese work of 18th century. These examples fairly illustrate the general features of the most characteristic jewelry of the dates quoted. ”

“ The typical group are the contents of the tomb of King Childeric (A.D. 481) now in the Bibliothèque Nationale at Paris. In Figs. 22 and 23 we have examples of Anglo-Saxon fibulae, the first being decorated with a species of cloisonné, in which garnets are inserted, while the other is in hammered work in relief. A pendant (fig. 24) is also set with garnets. ”