Carl Ethan Akeley

Biographical details

Portrait of Carl Ethan Akeley Carl Ethan Akeley,  In Brightest Africa

“ I had a dream of a great African Hall of forty groups of animals with all the ingenuity, all the technique, and all the art the country could boast of. By that time I had come to feel that taxidermy could be a great art. I felt that a beautifully modelled animal required at least as much knowledge, taste, skill, and technique as a bronze or stone animal. But I knew that this conception was not common. A taxidermist couldn't talk art. Especially he couldn't talk art convincingly to the kind of men who supported great museum ventures. It was a recognized thing to support art. ”
Source: Gutenberg

Portrait of Carl Ethan Akeley Carl Ethan Akeley,  In Brightest Africa

“ I had never before seen a lion outside of a cage. We turned our ponies over to the Somali gun boys who galloped after them to round them up. My next view of the lions was when the beaters had gone in to drive them out of a bit of jungle. A roar came from immediately in front of me and I saw a lioness in mid-air as high as my head, springing, thank heaven, diagonally away from me. But she saw me as she sprang and landed facing me. As I fired, a lion jumped over her back, which so disconcerted me that my shot only wounded her. This lion disconcerted her, too, for she followed him. ”
Source: Gutenberg

Portrait of Carl Ethan Akeley Carl Ethan Akeley,  In Brightest Africa

“ Although in our buffalo-hunting we have never had any actually serious encounters, I fully appreciate that the buffalo deserves his reputation as one of the most dangerous of big-game animals. His eyesight is good, he has keen scent, and is vigilant and vindictive. While the lion is usually satisfied with giving his victim a knock-out blow or bite, the buffalo, when once on the trail of man, will not only persist in his efforts to find him but, when he has once come up with him, will not leave while there is a vestige of life remaining in the victim. ”
Source: Gutenberg

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