Charles A. McMurry

“ I am not affirming too much when I say that he who, as a child, has never listened with joy to the murmuring and rustling of the fresh fountain of fairyland, will have no ear and no understanding for many a deep stream of German poetry. It is, after all, the modest fountain of fairy song which, flowing and uniting with the now noisy, now soft and gently flowing, current of folk song, and with the deep and earnest stream of tradition, which has poured such a refreshing current over German poetry, out of which our most excellent Uhland has drawn so many a heart-strengthening draught. ”

“ We happen to live in a time when university teachers are trying to enlarge the bounds of human knowledge in every direction, to solve problems that have not been solved before. No matter what the subject, the real student soon becomes an explorer, an investigator in fields of absorbing interest. The common school can scarcely do better than to receive this generous impulse into its work. Can our common studies be approached in this inquisitive spirit? Can growth in knowledge be made a progressive investigation? ”

“ The poets can do as much to idealize science study, to wake the dull eye, and quicken the languid interest in nature, as scientists themselves. Away, then, with this presumed antagonism between literature and science! Neither is complete without the other. Neither can stand on its own feet. But together, in mutual support, they cannot be tripped up. The facts, the laws, the utilities, adaptations, and wonders in nature are not so marvellous but the poet's eye will pierce beneath and above them, will give them a deeper interpretation, and clothe them in a garment of beauty and praise. ”

“ It is freedom of the will to chose the best that we are after. We desire to limit the choice of the will if possible to good things. We desire to make the character so strong and so noble and consistent in its desires that it will not be strongly tempted by evil. The will in the end, while it controls all the life and action, is itself under the guidance of those habits of thought and feeling that have been gradually formed. Sully says, "Thus it is feeling that ultimately supplies the stimulus or force to volition and intellect which guides or illumines it." ”

“ Whenever any object of sense, or spectacle of the outer world, any truth of reason, or event of past history, any fact of human experience, any moral or spiritual reality; whenever, in short, any fact or object which the sense, or the intellect, or the soul, or the spirit of man can apprehend, comes home to one so as to touch him to the quick, to pierce him with a more than usual vividness and sense of reality, then is awakened that stirring of the imagination, that glow of emotion, in which Poetry is born. ”

“ A simple story that can be understood by a child is not on that account childlike. The simplicity must be the ingenuousness of the child. Close to this lies the abyss of silliness into which so many children's stories tumble. A simple story may be manufactured, but the quality of true simplicity will not be breathed into it unless one can draw from the deeper springs of poetic invention. It is not enough that the externals of the story, such as situation and action, have this character, but the sensibilities and motives of the actors must be ingenuous and childlike ”

“ We have been considering nature chiefly as a realm by itself, apart from man. But the utilities of natural science in individual life and in society are so manifold that we accept many of the finest products of skill and art as if they were natural products—as if gold coins, silk dresses, and fine pictures grew on the bushes and only waited to be picked. The thousand-fold applications of natural science to human industry and comfort deserve to be perceived as the result of labor and inventive skill. ”

“ Poetry thus makes immortal all that is best and most beautiful in the world; it arrests the vanishing apparitions which haunt the interlunations of life, and, veiling them or in language or in form, sends them forth among mankind, bearing sweet news of kindred joy to those with whom their sisters abide—abide, because there is no portal of expression from the caverns of the spirit which they inhabit into the universe of things. ”

“ They have stood upon the mountain tops, looking far and wide through the clear atmosphere, while the great army of the people has been tenting in the valleys below. These wakeful priests and prophets have caught the bright tints of the morning while the people were still asleep, and have witnessed the suffused glory of the sunset clouds when the weary masses below had already forgotten the day's toil. One thing at least, and that the greatest, can be done for our children before they finish the common school course. They may rise into this pure atmosphere of poet, patriot, sage, and prophet. ”

“ Esthetic interest is awakened by what is beautiful, grand, and harmonious in nature or art. The first glance at great overhanging masses of rock, oppresses us with a feeling of awe. The wings of an insect, with their delicate tracery and bright hues, are attractive, and stir us with pleasure. ”

“ We need to know human life directly and in all sorts of acts, habits, feelings, motives, and conditions,—something as Shakespeare knew it, only within the compass of our narrower possibilities. Likewise the physical world with its visible and invisible forces and objects besetting us on every side. These things must impress themselves upon us vividly in detail as well as in the bulk. The hand that has been calloused by skill-producing labor, the back that aches with burdens bravely borne, the brain that has sweat with strong effort, are expressions of this kind of knowledge of the world. ”

“ It is knowledge into which the poet has breathed the breath of life. The difference between bare knowledge and the literature of power is like the difference between a perfect statue in stone and a living, pulsing, human form.
One of the virtues of literature, therefore, is the mental stimulus, the joy, the awakening, the intensity of thought it spontaneously calls forth. Textbooks are usually a bore, but literature is a natural resource even in hours of weariness. Who would dream of enlivening leisure hours or vacation rest with text-books of grammar, or arithmetic, or history, or science? ”

“ To make great demands upon the will power in early school years, is like asking for ripe fruits before they have had time to mature. Knowledge, feelings, and will-incentives of every sort must be first planted in the mind, before a proper will-energy can be expected. In teaching, we should aim to develop will power, not to take it for granted as a ready product. As the will should ultimately control all the mental powers, its proper maturity is a later outcome of education. ”

“ When a child makes the discovery, as Hugh Miller said, "that learning to read is learning to get stories out of books" he has struck the chord that should vibrate through all his future life. The real motive for reading is to get something worth the effort of reading. Even if it takes longer to accomplish the result in this way, the result when accomplished is in all respects more valuable. But it is probable that children will learn to read fully as soon who spend a good share of their time in oral story work. ”