Cora Gordon

Biographical details

Cora Gordon,  Poor Folk in Spain

“ Murcia could be counted as unmusical, in Verdolay one heard either a gramophone of the little Señor, or the piano banged by the girls who lived in the topmost house of the village. In Jijona, on the contrary, almost every evening could be heard the sound of the guitar or of that strange Eastern singing of Spain. Young men sat on the edge of the cliff below the Saracen castle and thumped two or three chords from a guitar for half the night long. It had a delight, analogous to that which the tom-tom gives, a delight drawn from the hypnotism of inexorable rhythm. ”
Source: Gutenberg

Cora Gordon,  The Luck of Thirteen: Wanderings and Flight through Montenegro and Serbia

“ We woke with difficulty to a glorious day, and found that what we had thought yesterday to be a plain was in truth a great plateau surrounded by towering grey mountains on which were gulfs and gullies filled with eternal snow. Jabliak is a queer village, fifty or sixty weathered wooden houses—with the high-peaked roof of Northern Serbia—flung down into this wilderness, where the grass and crops fight for existence with the pushing stones, and where the summer is so short that the captain's plum tree—the only one—will not ripen save in exceptional years. ”
Source: Gutenberg

Cora Gordon,  Poor Folk in Spain

“ I had no more than set the strings out on to it when Don Feliz, the little maestro whom you know, came in. He played upon it, and so full was my heart with the perfect tone of it, and with the thought that I, Emilio Peralta, had made it, that the tears came running down my face. I wept, Señor, to hear it. All night long I could not sleep for fear that the tone might alter, as sometimes it does. Sometimes, indeed, a guitar newly made sounds of no value, but in a few days or weeks even it may become first rate. ”
Source: Gutenberg

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