Cora Gordon

Summary

Cora Gordon,  Poor Folk in Spain

“ Murcia could be counted as unmusical, in Verdolay one heard either a gramophone of the little Señor, or the piano banged by the girls who lived in the topmost house of the village. In Jijona, on the contrary, almost every evening could be heard the sound of the guitar or of that strange Eastern singing of Spain. Young men sat on the edge of the cliff below the Saracen castle and thumped two or three chords from a guitar for half the night long. It had a delight, analogous to that which the tom-tom gives, a delight drawn from the hypnotism of inexorable rhythm. ”
Source: Gutenberg

Cora Gordon,  Poor Folk in Spain

“ I had no more than set the strings out on to it when Don Feliz, the little maestro whom you know, came in. He played upon it, and so full was my heart with the perfect tone of it, and with the thought that I, Emilio Peralta, had made it, that the tears came running down my face. I wept, Señor, to hear it. All night long I could not sleep for fear that the tone might alter, as sometimes it does. Sometimes, indeed, a guitar newly made sounds of no value, but in a few days or weeks even it may become first rate. ”
Source: Gutenberg

Cora Gordon,  Poor Folk in Spain

“ The walls top the hill-side and one sees nothing of the modern Avila which has spread beyond those great frowning gateways facing the plaza, but even the modern part of Avila which has oozed out beyond the walls is not overwhelmingly modern. There are none of the exquisite specimens of Spanish bad taste like that we found in Irun. The plaza is surrounded by coloured houses and arcades much as is that of Medina; the sun-blinds of the two large cafés are tattered and weather-beaten; the peasants stare at strangers with an unspoilt curiosity. ”
Source: Gutenberg

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