Ernest Miller Hemingway

Biographical details

Portrait of Ernest Miller Hemingway Ernest Miller Hemingway The Sun Also Rises — Chapter XV (1954)

Outside the ring, after the bull-fight was over, you could not move in the crowd. We could not make our way through but had to be moved with the whole thing, slowly, as a glacier, back to town. We had that disturbed emotional feeling that always comes after a bull-fight, and the feeling of elation that comes after a good bull-fight. The fiesta was going on. The drums pounded and the pipe music was shrill, and everywhere the flow of the crowd was broken by patches of dancers.
Source: Wikisource

Portrait of Ernest Miller Hemingway Ernest Miller Hemingway The Sun Also Rises — Chapter XII (1954)

The bull, striking into the wood from side to side with his horns, made a great noise. Then I saw a dark muzzle and the shadow of horns, and then, with a clattering on the wood in the hollow box, the bull charged and came out into the corral, skidding with his forefeet in the straw as he stopped, his head up, the great hump of muscle on his neck swollen tight, his body muscles quivering as he looked up at the crowd on the stone walls. The two steers backed away against the wall, their heads sunken, their eyes watching the bull.
Source: Wikisource

Portrait of Ernest Miller Hemingway Ernest Miller Hemingway The Sun Also Rises (1954)

Brett said. "You're terribly right. I always joke people and I haven't a friend in the world. Except Jake here."
"You don't joke him."
"That's it."
"Do you, now?" asked the count. "Do you joke him?"
Brett looked at me and wrinkled up the corners of her eyes.
"No," she said. "I wouldn't joke him."
"See," said the count. "You don't joke him."
"This is a hell of a dull talk," Brett said. "How about some of that champagne?"
The count reached down and twirled the bottles in the shiny bucket. "It isn't cold, yet. You're always drinking, my dear. Why don't you just talk?"
Source: Wikisource

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