H. P. Lovecraft and Henry S. Whitehead

“ That looking-glass had indeed possessed a malign, abnormal suction; and the struggling speaker in my dream made clear the extent to which it violated all the known precedents of human experience and all the age-old laws of our three sane dimensions. It was more than a mirror—it was a gate; a trap; a link with spatial recesses not meant for the denizens of our visible universe, and realizable only in terms of the most intricate non-Euclidean mathematics. And in some outrageous fashion Robert Grandison had passed out of our ken into the glass and was there immured, waiting for release. ”

“ Everything involved is so difficult to record that one tends to flounder helplessly. I have said that the revelation established in my mind a certain connection which reason had not allowed me to formulate consciously before. This connection, I need no longer hesitate to hint, had to do with the old Copenhagen mirror whose suggestions of motion had so impressed me on the morning of the disappearance, and whose whorl-like contours and apparent illusions of suction had later exerted such a disquieting fascination on both Robert and me. ”

“ Now, several years later, I was staying half as a guest and half as a tutor at the private school of my old friend Browne on a windy Connecticut hillside—occupying an unused wing in one of the dormitories, where I had two rooms and a hallway to myself. The old mirror, stowed securely in mattresses, was the first of my possessions to be unpacked on my arrival; and I had set it up majestically in the living-room, on top of an old rosewood console which had belonged to my great-grandmother. ”

“ Clearly, the dimensional transition had been no illusion—for this physical change was tangible and unmistakable. Had there been a natural exit from the glass, Robert would probably have undergone a thorough re-reversal and emerged in perfect normality—as indeed the color-scheme of his body and clothing did emerge. The forcible nature of his release, however, undoubtedly set something awry; so that dimensions no longer had a chance to right themselves as chromatic wave-frequencies still did. ”

“ I have spoken of the glass as storing up the images of these regions, but this is really an inexact definition. In truth, each of the mirror scenes formed a true and quasi-permanent fourth-dimensional projection of the corresponding mundane region; so that whenever Robert moved to a certain part of a certain scene, as he moved into the image of my room when sending his telepathic messages, he was actually in that place itself, on earth—though under spatial conditions which cut off all sensory communication, in either direction, between him and the present tri-dimensional aspect of the place. ”

“ Such visualizations depended wholly on telepathy, since no one inside the mirror could see out into the world of men. It was, in truth, a strange life that Holm and his company had lived inside the glass. Since the mirror had stood for fully a century with its face to the dusty stone wall of the shed where I found it, Robert was the first being to enter this limbo after all that interval. ”

“ Research showed him that the principle of reflection undoubtedly forms the chief gate to all dimensions beyond our familiar three; and chance placed in his hands a small and very ancient glass whose cryptic properties he believed he could turn to advantage. Once “inside” this mirror according to the method he had envisaged, he felt that “life” in the sense of form and consciousness would go on virtually forever, provided the mirror could be preserved indefinitely from breakage or deterioration.
Holm made a magnificent mirror, such as would be prized and carefully preserved ”

“ That it had deeper potential properties, realizable in the hands of an erudite magician, none of the common people doubted; and even educated persons attached much fearful importance to Holm’s rumored attempts to incorporate it in a larger glass of immortality. Then had come the wizard’s disappearance in 1687, and the final sale and dispersal of his goods amidst a growing cloud of fantastic legendry. ”

“ This latter point baffled me until I remembered that gray is itself a mixture of opposites. There is no opposite for gray—or rather, it is its own opposite.
Another clarified point was that pertaining to Robert’s curiously dulled and thickened speech—as well as to the general awkwardness and sense of misfit bodily parts of which he complained. This, at the outset, was a puzzle indeed; though after long thought the clue occurred to me. Here again was the same reversal which affected perspective and coloration. ”

“ Theoretically speaking, a prisoner in the glass could in a few moments go anywhere on our planet—into any place, that is, which had ever been reflected in the mirror’s surface. This probably applied even to places where the mirror had not hung long enough to produce a clear illusory scene ”

“ Reflecting on this after waking, I found the circumstance closely allied to the reversal of perspective which made Robert seem to grow larger when receding and smaller when approaching. Here, too, was a physical reversal—for every detail of his coloring in the unknown dimension was the exact reverse or complement of the corresponding color detail in normal life. In physics the typical complementary colors are blue and yellow, and red and green. These pairs are opposites, and when mixed yield gray. Robert’s natural color was a pinkish-buff, the opposite of which is the greenish-blue I saw. ”

“ These sensations wore off after a long while, Robert’s body becoming an organized whole rather than a number of protesting parts. Of all the forms of expression, speech remained the most difficult; doubtless because it is complicated, bringing into play a number of different organs, muscles, and tendons. Robert’s feet, on the other hand, were the first members to adjust themselves to the new conditions within the glass. ”

“ He had studied the world around him, and chafed at the limitations of human knowledge and capability. Eventually he sought for dark ways to overcome those limitations, and gained more success than is good for any mortal. ”

“ The deadly monotony of life for the prisoners can only be vaguely conjectured. As mentioned, its extensive spatial variety was limited to localities which had been reflected in the mirror for long periods ”

“ The number of inanimate objects within the glass, aside from the clothing of the prisoners, was very small; being largely limited to the accessories Holm had provided for himself. The rest did without even furniture, since sleep and fatigue had vanished along with most other vital attributes. Such inorganic things as were present, seemed as exempt from decay as the living beings. The lower forms of animal life were wholly absent.
Robert derived most of his information from Herr Thiele, the gentleman who spoke English with a Scandinavian accent. ”

“ The longest-living author of this work died in 1937, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 85 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
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