A hallway, as a transitional architectural space, serves both functional and symbolic roles in literature, linking rooms while evoking mood and narrative tension. Authors have explored this theme through varied perspectives: Alan Edward Nourse rendered it eerie and aged, while C. R. Clifford concentrated on its design and color balance.
Joel Chandler Harris described its spatial dimensions in a brick building, and Mary Harrod Northend highlighted its historical development in domestic architecture. F. Scott Fitzgerald, meanwhile, transformed it into a vivid, atmospheric threshold. These viewpoints collectively reveal the hallway as a liminal space where practicality and storytelling converge.