“ That is really the word for the period from Easter to midsummer; it is a fine, decorous, expensive, Protestant carnival, in which the masks are not of velvet or silk, but of wonderful deceptive flesh and blood, the material of the most beautiful complexions in the world. Holding that the great interest of London is the sense the place gives us of multitudinous life, it is doubtless an inconsequence not to care most for the phase of greatest intensity. But there is life and life, and the rush and crush of these weeks of fashion is after all but a tolerably mechanical expression of human forces. ”
Henry James
Summary
English Hours (1905), a travel essay collection by Henry James, compiles over thirty years of his reflections on England, originally published in periodicals like The Nation and Scribner’s Magazine. Revised and unified with a new introduction, the essays blend vivid portrayals of London’s “multitudinous life” with affectionate depictions of the English countryside, from Rye to North Devon.
While stylistic variations persist, James’s consistent admiration for England’s “decent and dauntless people” and its landscapes—marked by cathedrals, castles, and pastoral charm—threads through the work, offering a nuanced portrait of a nation he called home.
Quotes from English Hours (Henry James)
“ Of course it is too much to say that all the satisfaction of life in London comes from literally living there, for it is not a paradox that a great deal of it consists in getting away. It is almost easier to leave it than not to, and much of its richness and interest proceeds from its ramifications, the fact that all England is in a suburban relation to it. Such an affair it is in comparison to get away from Paris or to get into it. London melts by wide, ugly zones into the green country, and becomes pretty insidiously, inadvertently—without stopping to change. ”
“ The London year is studded with holidays, blessed little islands of comparative leisure—intervals of absence for good society. Then the wonderful English faculty for “going out of town for a little change” comes into illimitable play, and families transport their nurseries and their bath-tubs to those rural scenes which form the real substratum of the national life. Such moments as these are the paradise of the genuine London-lover, for he then finds himself face to face with the object of his passion; he can give himself up to an intercourse which at other times is obstructed by his rivals. ”
