Jessie Fothergill

Biographical details

Portrait of Jessie Fothergill Jessie Fothergill The first violin: A novel

An irrepressible flash of emotion crossed his face; he made a step forward. Sigmund seemed as if he did not see us. He was making a mechanical way to the door, when I interrupted him.
“Sigmund, do not forget thy old Friedhelm!” I cried, clasping him in my arms, and kissing his little pale face, thinking of the day, three years ago, when his father had brought him wrapped up in the plaid on that wet afternoon, and my heart had gone out to him.
“Lieber Friedhelm!” he said, returning my embrace, “Love my father when I—am gone. And—auf—auf—wiedersehen!”
Source: Gutenberg

Portrait of Jessie Fothergill Jessie Fothergill The Wellfields: A novel. Vol. 2 of 3 (1880)

If he wished to recall to Nita’s mind their perils of the afternoon, he succeeded most thoroughly in doing so. It all rushed over her mind again, overpoweringly, and the whole truth of it. She knew as she heard his voice that never, never had life been so sweet as when, the danger over, she had seen Jerome Wellfield standing at her side, and had heard his voice, though scarcely comprehending what he said.
So he sang on, song after song; each one with fresh verve and fresh pleasure—with a purer delight in the exercise of his power.
Source: Gutenberg

Portrait of Jessie Fothergill Jessie Fothergill Borderland (1890)

Eleanor liked it. She liked the windows looking into the broad open street. Such a prospect seemed to bring her nearer to humanity, and to the wholesome everyday life of her fellow-creatures. The recollection of Thorsgarth, rising stately from its basement of velvet sward, rendered dark by the towering trees which surrounded it,—of the terraces sloping to the river; the flights of steps, the discoloured marble fauns and nymphs—this recollection came over her, and made her feel dreary. She felt as if she had lived in it all for years, and had no joy in any one of them.
Source: Gutenberg

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