Jessie Fothergill

Jessie Fothergill

Summary

Portrait of Jessie Fothergill Jessie Fothergill The Wellfields: A novel. Vol. 1 of 3 (1880)

That is when a rose is more beautiful than at any other time. It is just like you,’ he added, drawing it from the jar, and shaking the water from it. ‘And now, Sara, what of the future?’ he added, drawing her to him. ‘Why do you always look at me as if you were half-afraid of me?’ he added, gazing down into her fascinated eyes. ‘Avice never does. Yours is not “perfect love” if it has not cast out fear.’
‘Avice—you will never have the same rights over Avice that you have already over me,’ she replied, tremulously.
Jerome smiled. The sensation he felt was not one of displeasure.
Source: Gutenberg

Portrait of Jessie Fothergill Jessie Fothergill The Wellfields: A novel. Vol. 1 of 3 (1880)

There was a prevailing sensation that the old life no longer satisfied her. She knew that between her and her rejoicing fulness of contentment in her art, a barrier had arisen. A third thought now always intruded between herself and her purpose. She could handle no pencil, take up [96] no book, behold no beautiful thing, form no plans for the future, without the influence of Jerome Wellfield making itself overpoweringly felt. At times—at this moment, even—she almost resented this new feeling; longed for freedom, and revolted at finding her soul enslaved.
Source: Gutenberg

Portrait of Jessie Fothergill Jessie Fothergill The Wellfields: A novel. Vol. 1 of 3 (1880)

Since his love for Sara Ford had arisen, he had thought and dreamed still oftener of this ancient place. Now he knew—he had thought of it when he spoke to Avice that morning—that with her by his side there was no place he would so gladly go to, and stay there. What a life they might lead—she with her art, and he with his—and with their love! He felt a thrill—felt the blood course quickly on, as he pictured her—it was the first time he had seen the picture clearly—with him at Wellfield—his wife.
Source: Gutenberg

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