Karel Matěj Čapek-Chod

Biographical details

Portrait of Karel Matěj Čapek-Chod Karel Matěj Čapek-Chod Selected Czech Tales (1925)

From eleven at night till four in the morning, during the five hours while printing is going on, under stress of perpetual excitement, in the heat of an oven, none of the slaves of this despotic metal monster is conscious of himself. Their eyes anxiously watch the course of the shiny white paper, which is lit up by electric lamps at points of danger, and their hands are upon the levers to stop the machine instantly, should the paper get torn, which may happen at any moment through too much moistening or through a tiny pleat.
Source: Wikisource

Portrait of Karel Matěj Čapek-Chod Karel Matěj Čapek-Chod Poet Lore (1924)

Julia.—Please, Ann. I should think you would be furious about it all. (Jackie whispers something in Andrew’s ear, both go out by wicket, and presently Andrew returns alone.)
Ann (Forcing a laugh) .—You don’t need my oath on it that I am not. Not even a headache. It only makes me laugh!
Julia.—Just so you are not pretending.
Ann (Laughing hysterically) .—For God’s sake, Julia, don’t think that I am jealous. I don’t care about anything but the good name of the house. All I have in life is the hollow honor of being mistress here, and I must put up a semblance of dignity.
Source: Wikisource

Portrait of Karel Matěj Čapek-Chod Karel Matěj Čapek-Chod Selected Czech Tales (1925)

All this happens amid an overpowering, penetrating din, as though a gale were shrieking with inharmonious howls through the pipes of a gigantic organ, or as if all the two hundred thousand readers of the daily paper, collected under the vault of the printing house, were reading all the columns at the same time in breathless haste. Every word that is spoken is swallowed up by the noise; the men communicate with each other by signs only, or they put their mouth close to their companion’s ear and shout into it with the full power of their lungs.
Source: Wikisource

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