“ It is as if one approached the place of a god, is it not, Erna, only to think upon the possibilities of what is within us. How can I be content to become once more that which I have been, a creature as insensible to all this as the wolf that howls in the forest down there, and only cares for what he shall eat to-day? I am overwhelmed only to see how great and how noble are the things to which the soul of man may reach out."Erna was silent a moment, impressed by his earnestness; then she shook herself and laughed."Hast thou then been a beast in the forest, or one of the wood-creatures?" ”
Erna
Definition and stakes
The concept of "Erna" appears throughout literature as a multifaceted symbol, frequently representing emotional depth, existential contemplation, or relational intricacy. Authors like Arlo Bates depict her as a figure confronting human potential and the anticipation of marriage, while Madeleine L'Engle places her in situations marked by physical and emotional strain.
Friedrich Spielhagen examines her through romantic conflicts and internal struggles, presenting her as a medium for psychological subtlety. These diverse depictions emphasize Erna’s function as a channel for exploring human fragility, longing, and evolution, portraying her as both a character and a metaphor for the challenges involved in personal and spiritual development.
Quotes about “Erna”
Madeleine L'Engle, And both were young (1949)
“ Through her blindfold she could not see the fog that was beginning to straggle in wooly-looking streamers about the playing fields and the grounds; but she could feel the damp seeping through her blazer and skirt and her body grow numb. Erna had bound her tightly and her muscles began to ache from standing and the tautened stockings of the rope dug into the flesh of her wrists and ankles and the darkness became oppressive instead of peaceful. ”
“ She turned away from him, giving no sign if she heard; and the little party returned to the great hall, where indeed the maidens of the castle soon assembled to lead Erna to the bridal chamber, to the white and perfumed bride-bed which Father Christopher had blessed with prayer in his soul no less than upon his lips.All white and blessed, like a blossom of the hawthorne over whose snow the flush of early morn casts a rosy tint, Erna lay to await the quick coming of the bridegroom, while the unknown world of married love stretched out before her, mystic, enticing, yet not without dread. ”
