Mrs. Henry Dudeney

Biographical details

Portrait of Mrs. Henry Dudeney Mrs. Henry Dudeney Folly Corner (1900)

She was not going to marry for love. To marry for love had once been the dear dream of her life. But that was over; the prison had engulfed her poor romance—it had been a mean one at the best. It was all over—the first wild, keen shame and rebellion, the steadfast belief in him, the passionate waiting for the future. It was all over—dead. She was going to marry Jethro; going to take refuge in his kindliness—as if he were a wayside barn on a wet day. She meant to be a good wife, a happy wife. Nothing was more contemptible than a tiresome, melancholy woman with a past.
Source: Gutenberg

Portrait of Mrs. Henry Dudeney Mrs. Henry Dudeney Men of Marlowe's (1900)

You understand the sort of thing; avoiding the seams of paving stones, taking your fate from the chance expression of the first strange face you meet when you go out of doors, from the color of a horse, the chime of a clock, street cries—anything.
He was very candid when he stood on his trial for his life; he poured out all his troubles, piteously magnifying trifles, blaming the laundress, the blue dress, the clock in the square, the cab outside, for his misfortune.
Source: Gutenberg

Portrait of Mrs. Henry Dudeney Mrs. Henry Dudeney Folly Corner (1900)

Nancy seemed to sway a bit nearer the lithe figure in gray. Pamela saw his face and her heart came to a startled stop. He had looked like that when he kissed her for the first time—on the stairs of the boarding-house. It had been the first man’s kiss of her life.
Nancy’s eyes and cheeks and lips blazed like her ruddy hair. He pulled her toward him with the easy, insolent air of a man who is sure of his woman—who has been sure of women all his life—and kissed her on lids, lips, brows.
Source: Gutenberg

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