Roland Truslove and Henri de Blowitz

Biographical details

Roland Truslove and Henri de Blowitz 1911 Encyclopædia Britannica, Volume 20… (1911)

To immortalize this same Grand Army he ordered from the architect Pierre Vignon a Temple of Victory, which without changing the form of its Corinthian peristyle has become the church of the Madeleine; the entrance to the avenue of the Champs Élysées was spanned by the vast triumphal arch De l'Étoile (of the star) , which owes its celebrity not only to its colossal dimensions and its magnificent situation, but also to one of the four subjects sculptured upon its faces — the Chant du départ or Marseillaise, one of the masterpieces of Rude and of modern sculpture.
Source: Wikisource

Roland Truslove and Henri de Blowitz 1911 Encyclopædia Britannica, Volume 20… (1911)

St Gervais, St Merry and St Germain all contain valuable works of art, the stained glass of the two former being especially noteworthy.
St Étienne-du-Mont combines the Gothic and Renaissance styles in its nave and transept, while its choir is of Gothic, its façade of pure Renaissance architecture. In the interior, one of the most beautiful in the city, there is a fine rood-loft (1600-1600) by Pierre Biard and a splendid collection of stained windows of the 16th and early 17th centuries; a chapel contains part of the sarcophagus of Ste Geneviève, which is the object of a pilgrimage.
Source: Wikisource

Roland Truslove and Henri de Blowitz 1911 Encyclopædia Britannica, Volume 20… (1911)

On the site of the fortifications of Étienne Marcel, which during the previous hundred years had been gradually disappearing, he laid out the line of boulevards connecting the quarter of the Bastille with that of the Madeleine. Though he no longer inhabited the Louvre (and it never was again the seat of royalty) , he caused the great colonnade to be constructed after the plans of Claude Perrault. This immense and imposing façade, 548 ft. long, has the defect of being quite out of harmony with the rest of the building, which it hides instead of introducing.
Source: Wikisource

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