Summary

Portrait of Alexandre Dumas Alexandre Dumas My Memoirs, Vol. I, 1802 to 1821

I think my heart will break."
"Cry, my boy, have a good cry, it will do you good," said M. Deviolaine.
"Oh! my God! my God!" the wretched man exclaimed, bursting into sobs, as he fell back on a chair.
Nothing ever moves me so much as to see a great, strong man broken down by deep sorrow.
The sight of Berthelin, struggling in his death agony, his lifeblood welling out of him, moved me less than did the sight of Choron, struggling against despair and unable to shed a tear.
We left that death-chamber, one after another, leaving there only the dying man, the doctor, Moinat and Choron.
Source: Gutenberg

Portrait of Alexandre Dumas Alexandre Dumas My Memoirs, Vol. I, 1802 to 1821

There is a wide distance between these chilly letters and the enthusiastic admiration which Kléber felt when he exclaimed, as he laid his hand on Bonaparte's shoulder:
"General, you are a world in yourself."
Truly it is the poet who makes history, and the history he makes is the finest of all histories. Erase Bonaparte's noble saying at the Pyramids, erase Kléber's words to Bonaparte, and you take away the golden halo which encircled that great Egyptian expedition—the most wild and futile of expeditions, if not the most gigantic and poetic.
Source: Gutenberg

Portrait of Alexandre Dumas Alexandre Dumas My Memoirs, Vol. I, 1802 to 1821

Those men who marched thus with such a firm tread to Waterloo, to their graves, must never be forgotten! They typified the devotion, the courage, the honour of the noblest, the warmest, the purest blood of France! they embodied twenty years of struggle against all Europe; they were of the Revolution, our mother; they were of the Empire, our nurse; they were not the French nobility, but the nobility of the French people!
I saw them all pass by, all, down to the last remnants of the Egyptian army, 200 Mamelukes with their baggy red pantaloons, their turbans, and their curved sabres.
Source: Gutenberg

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