Summary

Portrait of Algernon Blackwood Algernon Blackwood Incredible Adventures — A Descent Into Egypt (1914)

Uncouth immensity notes the little human flittings. The days roll by in a tide of golden splendour; one goes helplessly with the flood; but it is an irresistible flood that sweeps backwards and below. The silent-footed natives in their coloured robes move before a curtain, and behind that curtain dwells the soul of ancient Egypt⁠—the Reality, as George Isley called it⁠—watching, with sleepless eyes of grey infinity. Then, sometimes the curtain stirs and lifts an edge; an invisible hand creeps forth; the soul is touched.
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Portrait of Algernon Blackwood Algernon Blackwood Incredible Adventures — A Descent Into Egypt (1914)

George Isley was below me now, his outline tiny against the sheet of yellow sand. And the sand was moving. The desert rushed again. The human figures receded swiftly into the Past they had reconstructed with the creative yearning of their souls.
I stood alone upon the edge of crumbling limestone, helplessly watching them. It was amazing what I witnessed, while the shafts of crimson dawn rose up the sky. The enormous desert turned alive to the horizon with gold and blue and silver. The purple shadows melted into grey. The flat-topped ridges shone.
Source: Wikisource

Portrait of Algernon Blackwood Algernon Blackwood Incredible Adventures — A Descent Into Egypt (1914)

For a sense of his awful loneliness stole into me, a loneliness nothing on this earth could possibly relieve. Robbed of the Present, he sought this chimera of his soul, an unreal Past. Not even the calm majesty of this exquisite Egyptian night could soothe the dream away; the peace and silence were marvellous, the sweet perfume of the desert air intoxicating; but all these intensified it only.
And though at a loss to explain my own emotion, its poignancy was so real that a sigh escaped me and I felt that tears lay not too far away.
Source: Wikisource

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