Summary

Portrait of Anatole France Anatole France,  The Red Lily — Complete

“ Choulette approached Madame Marmet, and said, gravely “Madame Marmet, is it possible for you to look at a door—a simple, painted, wooden door like yours, I suppose, or like mine, or like this one, or like any other—without being terror-stricken at the thought of the visitor who might, at any moment, come in? The door of one’s room, Madame Marmet, opens on the infinite. Have you ever thought of that? Does one ever know the true name of the man or woman, who, under a human guise, with a known face, in ordinary clothes, comes into one’s house?” ”
Source: Gutenberg

Portrait of Anatole France Anatole France,  The Red Lily — Complete

“ Ah, Madame Marmet, you will never know how true it is that the great works of this world were always achieved by madmen. Do you think, Madame Martin, that if Saint Francis of Assisi had been reasonable, he would have poured upon the earth, for the refreshment of peoples, the living water of charity and all the perfumes of love?”
“I do not know,” replied Madame Martin; “but reasonable people have always seemed to me to be bores. I can say this to you, Monsieur Choulette.”
”
Source: Gutenberg

Portrait of Anatole France Anatole France,  The Red Lily — Complete

“ Dechartre was there, reciting verses of Dante, and looking at Florence: “At the hour when our mind, a greater stranger to the flesh...”
Near him, Choulette, seated on the balustrade of the terrace, his legs hanging, and his nose in his beard, was still at work on the figure of Misery on his stick.
Dechartre resumed the rhymes of the canticle: “At the hour when our mind, a greater stranger to the flesh; and less under the obsession of thoughts, is almost divine in its visions,...”
She approached beside the boxwood hedge, holding a parasol and dressed in a straw-colored gown.
”
Source: Gutenberg

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