Summary

Portrait of Anthony Trollope Anthony Trollope The Commentaries of Cæsar — Introduction (1870)

Between these monsters of cruelty—between Marius and Sulla, who went before him, and Octavius and Antony who followed him—Cæsar has become famous for clemency. And yet the hair of the reader almost stands on end with horror as Cæsar recounts in page after page the stories of cities burned to the ground, and whole communities slaughtered in cold blood. Of the destruction of the women and children of an entire tribe, Cæsar will leave the unimpassioned record in one line.
Source: Wikisource

Portrait of Anthony Trollope Anthony Trollope The Commentaries of Cæsar — Introduction (1870)

And it may be said of Cæsar that he was in some sort guided in his life by sense of duty and love of country; as it may also be said of his great contemporaries, Pompey and Cicero. With those who went before him, Marius and Sulla, as also with those who followed him, Antony and Augustus, it does not seem that any such motives actuated them. Love of power and greed, hatred of their enemies and personal ambition, a feeling that they were urged on by their fates to seek for high place, and a resolve that it was better to kill than be killed, impelled them to their courses.
Source: Wikisource

Portrait of Anthony Trollope Anthony Trollope The Commentaries of Cæsar — Introduction (1870)

We cannot realise and bring home to ourselves the Punic Wars or the Social War, the Scipios and the Gracchi, or even the contest for power between Marius and Sulla, as we do the Gallic Wars and the invasion of Britain, by which the civilisation of Rome was first carried westwards, or the great civil wars,—the "Bellum Civile,"—by which was commenced a line of emperors continued almost down to our own days, and to which in some degree may he traced the origin and formation of almost every existing European nation.
Source: Wikisource

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