Anton Chekhov

Anton Chekhov

Summary

Portrait of Anton Chekhov Anton Chekhov The Kiss and Other Stories (1908)

And his half-closed eyes looked not at Olga Ivanovna, but down at the counterpane. “Duimoff!” she cried loudly. “Duimoff!”
She wished to explain to him that the past was but a mistake; that all was not yet lost; that life might yet be happy and beautiful; that he was a rare, an uncommon, a great man; that she would worship him from this day forth, and pray, and torture herself with holy dread. . . .
“Duimoff!” she cried, tapping his shoulder, refusing to believe that he would never awaken. “Duimoff! Duimoff!”
But in the drawing-room Korosteleff spoke to the maid-servant.
Source: Wikisource

Portrait of Anton Chekhov Anton Chekhov The Kiss and Other Stories (1908)

Sometimes I peered through the keyhole; and always saw the same scene: my uncle sat at his desk and worked; and his work seemed always the same: with one hand he wrote, with the other he turned over the pages of a book; and — what seemed strangest to me — his body moved without cease; he swung his leg as a pendulum, whistled and nodded his head in time. His face expressed levity and abstraction, as if he were playing noughts and crosses. He always wore the same short, smart jacket and the same well-tied necktie, and even through the keyhole I could smell his delicate, feminine perfumes.
Source: Wikisource

Portrait of Anton Chekhov Anton Chekhov The Kiss and Other Stories (1908)

And Sasha and Motka, and all the little girls, hid on the stove behind Nikolai's back, and the throbbing of their little hearts was almost heard. In every family with an invalid, long sick and hopeless, there are moments when all, timidly, secretly, at the bottom of their hearts, wish for his death; alone, children always dread the death of any one kin to them, and feel terror at the thought.
Source: Wikisource

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