Olga Ivanovna

“ Her slender, flexible neck bent forward so charmingly; there was such seductive negligence, such modesty in the restful pose of her figure, free from corsets, that Vassily Ivanovitch (a great connoisseur!) halted involuntarily and peeped in. It suddenly occurred to him that Olga Ivanovna ought not to be left in her primitive ignorance; that she might with time be turned into a very sweet and charming woman. He stole up to the window, stretched up on tiptoe, and imprinted a silent kiss on Olga Ivanovna's smooth, white arm, a little below the elbow. ”

“ But no one divined the true cause of Vasíly Ivánovitch's regeneration.
Olga Ivánovna, gentlemen, was very far from being uncomely.—But her beauty consisted rather in remarkable softness and freshness of person, in a tranquil charm of movement, than in strict regularity of features. Nature had endowed her with a certain independence; her education—she had been reared an orphan—had developed in her caution and firmness. ”

“ A talented actor, clever, modest, a fine gentleman, a master of declamation, who taught Olga Ivanovna to recite; a good-humoured opera-singer who told Olga Ivanovna with a sigh that she was throwing herself away—if she gave up idling and took herself in hand, she would make a famous singer; a few artists, chief of them the genre-ist, animal-, and landscape-painter Riabovsky, handsome, fair-haired, twenty-five, successful at exhibitions, who sold his last picture for five hundred roubles—he touched up Olga Ivanovna's études, and predicted a future for her ”

“ She had been brought as a tiny baby to Lutchinovka; she all but died on the road. Olga Ivanovna was brought up, as they say, in the fear of God and her betters. It must be admitted that Ivan Andreevitch and Anna Pavlovna both treated her as a daughter. But there lay hid in her soul a faint spark of that fire which burned so fiercely in Vassily Ivanovitch. While Ivan Andreevitch's own children did not dare even to wonder about the cause of the strange, dumb feud between their parents, Olga was from her earliest years disturbed and tormented by Anna Pavlovna's position. ”

“ Ryabovsky said softly, wiping his mouth with a towel instead of a dinner napkin. “You are dull and have nothing to do here, and one would have to be a great egoist to try and keep you. Go home, and we shall meet again after the twentieth.”
Olga Ivanovna packed in good spirits. Her cheeks positively glowed with pleasure. Could it really be true, she asked herself, that she would soon be writing in her drawing-room and sleeping in her bedroom, and dining with a cloth on the table? A weight was lifted from her heart, and she no longer felt angry with the artist. ”

“ You might finish it now.”
“Aie!” the artist scowled. “Finish it! Can you imagine I am such a fool that I don’t know what I want to do?”
“How you have changed to me!” sighed Olga Ivanovna.
“Well, a good thing too!”
Olga Ivanovna’s face quivered; she moved away to the stove and began to cry.
“Well, that’s the last straw—crying! Give over! I have a thousand reasons for tears, but I am not crying.”
“A thousand reasons!” cried Olga Ivanovna. “The chief one is that you are weary of me. Yes!” she said, and broke into sobs. “If one is to tell the truth, you are ashamed of our love. ”

“ Soon he heard footsteps and a familiar laugh; a door slammed, and Olga Ivanovna ran into the room, wearing a wide-brimmed hat and carrying a box in her hand; she was followed by Ryabovsky, rosy and good-humoured, carrying a big umbrella and a camp-stool.
“Dymov!” cried Olga Ivanovna, and she flushed crimson with pleasure. “Dymov!” she repeated, laying her head and both arms on his bosom. “Is that you? Why haven’t you come for so long? Why? Why?”
“When could I, little mother? I am always busy, and whenever I am free it always happens somehow that the train does not fit.” ”

“ In the intervals between the recitations, music, and singing, they talked and argued about literature, the theatre, and painting. There were no ladies, for Olga Ivanovna considered all ladies wearisome and vulgar except actresses and her dressmaker. Not one of these entertainments passed without the hostess starting at every ring at the bell, and saying, with a triumphant expression, “It is he,” meaning by “he,” of course, some new celebrity. Dymov was not in the drawing-room, and no one remembered his existence. ”

“ She went in to him without ringing, and as she was taking off her goloshes in the entry she heard a sound as of something running softly in the studio, with a feminine rustle of skirts; and as she hastened to peep in she caught a momentary glimpse of a bit of brown petticoat, which vanished behind a big picture draped, together with the easel, with black calico, to the floor. There could be no doubt that a woman was hiding there. How often Olga Ivanovna herself had taken refuge behind that picture! ”

“ He touched up Olga Ivanovna’s sketches, and used to say she might do something. Then a violoncellist, whose instrument used to sob, and who openly declared that of all the ladies of his acquaintance the only one who could accompany him was Olga Ivanovna; then there was a literary man, young but already well known, who had written stories, novels, and plays. Who else? Why, Vassily Vassilyitch, a landowner and amateur illustrator and vignettist, with a great feeling for the old Russian style, the old ballad and epic. ”

“ Vassily Ivanovitch with a smile kept her by the arm.... Olga flushed all over, to her ears; he began to rally her on her alarm... invited her to come a walk with him. But Olga Ivanovna became suddenly conscious of the negligence of her attire, and 'swifter than the swift red deer' she slipped away into the next room.
The very same day Vassily set off to the Rogatchovs. He was suddenly happy and light-hearted. Vassily was not in love with Olga, no! the word 'love' is not to be used lightly.... He had found an occupation, had set himself a task, and rejoiced with the delight of a man of action. ”

“ At first Olga Ivanovna understood nothhig; than she turned cold, and began to cross herself.
“He is dying,” he repeated in a thin voice; and again he sobbed. “He is dying — because he sacrificed himself. What a loss to science!” He spoke bitterly. “This man, compared with the best of us, was a great man, an exceptional man! What gifts! What hopes he awakened in us all!” Korosteleff wrung his hands. “Lord, my God, you will not find such a scholar if you search till judgment day! Oska Duimoff, Oska Duimoff, what have you done? ”

“ Dymov, with his waistcoat unbuttoned and no coat, was sitting at the table sharpening a knife on a fork; before him lay a grouse on a plate. As Olga Ivanovna went into the flat she was convinced that it was essential to hide everything from her husband, and that she would have the strength and skill to do so; but now, when she saw his broad, mild, happy smile, and shining, joyful eyes, she felt that to deceive this man was as vile, as revolting, and as impossible and out of her power as to bear false witness, to steal, or to kill, and in a flash she resolved to tell him all that had happened. ”

“ You’re not an artist, you know, but a musician. But you can’t think how tired I am! I’ll tell them to bring us some tea, shall I?”
He went out of the room, and Olga Ivanovna heard him give some order to his footman. To avoid farewells and explanations, and above all to avoid bursting into sobs, she ran as fast as she could, before Ryabovsky came back, to the entry, put on her goloshes, and went out into the street; then she breathed easily, and felt she was free for ever from Ryabovsky and from painting and from the burden of shame which had so crushed her in the studio. ”

“ There would be no end to their happiness. In April, May and June a summer villa a good distance out of town; walks, sketching, fishing, nightingales; and then from July right on to autumn an artist’s tour on the Volga, and in this tour Olga Ivanovna would take part as an indispensable member of the society. She had already had made for her two travelling dresses of linen, had bought paints, brushes, canvases, and a new palette for the journey. Almost every day Ryabovsky visited her to see what progress she was making in her painting ”

“ I know God will take the poor boy from us because we have not known how to prize him. Such a treasure!”
The band finished the march, and a minute later began playing a lively waltz for the opening of the ball.
“Good God, can nothing really be done?” moaned Olga Ivanovna. “Nikolay, you are a doctor and ought to know what to do! You must understand that I can’t bear the loss of him! I can’t survive it.”
The doctor, who did not know how to talk to weeping women, heaved a sigh, and paced slowly about the drawing-room. ”

“ But in the seventies of last century (Olga Ivanovna was born in 1757) our country beauties had no notion of such accomplishments. It is difficult for us now to form a clear conception of the Russian miss of those days. We can indeed judge from our grandmothers of the degree of culture of girls of noble family in the time of Catherine; but how is one to distinguish what they had gradually gained in the course of their long lives from what they were in the days of their youth? ”

“ Other more feminine passions might indeed flare up in Olga Ivanovna's heart with abnormal and painful violence... but she had not the cold pride, nor the intense strength of will, nor the self-centred egoism, without which any passion passes quickly away.
The first rush of feeling in such half-active, half-passive natures is sometimes extremely violent; but they give way very quickly, especially when it is a question of relentless conformity with accepted principles; they are afraid of consequences.... ”

“ He was quiet suddenly, looked at the view mildly and, in a moment, thought me the best friend he had in the world—in the Russian manner.
"You see, Ivan Andreievitch," he said, looking at me with the eyes of an unnaturally wise baby, "that I cannot help wishing that my wife were here to advise Marie Ivanovna. She would have loved my wife very much, as every one did, and would have confided in her. That would have helped a girl who, like Marie Ivanovna, is ignorant of the world and the loves of men." ”

“ All at once he heard some one behind him say, in a distinct voice, “Afanasii Ivanovich.” He turned round, but there was no one there. He looked on all sides: he peered into the shrubbery—no one anywhere. The day was calm, and the sun shone clear. He pondered for a moment. His face lighted up; and at length he exclaimed, “It is Pulcheria Ivanovna calling me!”
It has doubtless happened to you, at some time or other, to hear a voice calling you by name, which the peasants explain by saying that a man’s spirit is longing for him, and calls him, and that death inevitably follows. ”

“ Two gentlemen, Terry said.
Are you going to wear that dress?"
"I don't want any dinner. If they ask for me, tell Mrs. Palma I feel very badly, and that I beg she will excuse me. Where is Olga?"
"Busy trimming her overskirt with flowers. You know Mrs. Tarrant gives her ball to-night, and Miss Olga says she has saved herself, rested all day, to be fresh for it. Lou-Lou has just come to dress her hair. What a pity you can't go too, you look quite old enough. Miss Olga has such a gay, splendid time."
"I do not want to go. I only wish I could lie down and sleep for ever. ”

“ We were done for thee, for love's sweet sake, and that alone.'
"Then was Olga sorry and ashamed that she had been so proud and forgetful, and she wept again. The tears seemed to clear her vision, for now she saw plainly that through no power of her own could she wrest strange favours from fortune. Only the power of the old charm could make them hers. She remembered it then, and holding fast to the one bead in her hand, she repeated, humbly:
"Lo, as the words left her lips, the moon shone out from behind the clouds above the dark forest. ”

“ As for me, I must acknowledge, I can find nothing attractive in her—she is unbearably conceited."
"She is a perfect statue, my dearest Anna Grigorievna, and there is not the least expression in her face."
"Oh, she is awfully conceited! Oh, how affected! Good gracious, what affectation! I don't know who her instructor was, but I don't recollect having ever seen a young woman so full of affectation as she is!"
"My own heart, Anna Grigorievna! she is nothing but a living statue, and pale as death."
"Pray don't say that, my dearest Sophia Ivanovna; she uses rouge in an unchristian-like manner." ”

“ Her cold indifference galls him, and increases his love. He writes three letters, to which she does not reply. Then he forces himself into her boudoir and finds her reading one of his letters and weeping over it. She then confesses that she loves him still, but dismisses him with the assurance that she will remain true to her noble and loving husband. Tatyána is regarded as one of the finest, most vividly faithful portraits of the genuine Russian woman in all Russian literature; while Olga is considered fully her equal, as a type, and in popular sympathy ”

“ So the important personage descended the stairs, stepped into his sledge, said to the coachman, “To Karolina Ivanovna’s,” and, wrapping himself luxuriously in his warm cloak, found himself in that delightful frame of mind than which a Russian can conceive no better, namely, when you think of nothing yourself, yet when the thoughts creep into your mind of their own accord, each more agreeable than the other, giving you no trouble either to drive them away or seek them. ”