Arnold Bennett

Arnold Bennett

Summary

Portrait of Arnold Bennett Arnold Bennett,  The Old Wives' Tale

“ No sleepless night had ever been so long to Sophia as the three minutes which elapsed before Mr. Critchlow came. As she stood on the mat outside the bedroom door she tried to draw her mother and Constance and Mr. Povey by magnetic force out of the wakes into the house, and her muscles were contracted in this strange effort. She felt that it was impossible to continue living if the secret of the bedroom remained unknown one instant longer, so intense was her torture, and yet that the torture which could not be borne must be borne. Not a sound in the house! Not a sound from the shop! ”
Source: Gutenberg

Portrait of Arnold Bennett Arnold Bennett,  The Old Wives' Tale

“ Four years ago, in the Restaurant Sylvain, the ingenuous and ignorant Sophia had shyly sat in awe of the resplendent courtesan, with her haughty stare, her large, easy gestures, and her imperturbable contempt for the man who was paying. And now Sophia knew that she, Sophia, knew all that was to be known about human nature. She had not merely youth, beauty, and virtue, but knowledge—knowledge enough to reconcile her to her own misery. She had a vigorous, clear mind, and a clean conscience. She could look any one in the face, and judge every one too as a woman of the world. ”
Source: Gutenberg

Portrait of Arnold Bennett Arnold Bennett,  The Old Wives' Tale

“ This idea of Sophia’s wasted and sterile life, and of the far-reaching importance of adhering to principles, recurred to her again and again. “Why did she run away with him? If only she had not run away!” she would repeat. And yet there had been something so fine about Sophia! Which made Sophia’s case all the more pitiable! Constance never pitied herself. She did not consider that Fate had treated her very badly. She was not very discontented with herself. The invincible commonsense of a sound nature prevented her, in her best moments, from feebly dissolving in self-pity. ”
Source: Gutenberg

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