Arthur Hayden

“ But have gravers on silver and inventors of symmetrical goblets of gold less blood than those who drew lines on copper? There is something human missing in these strings of initials and bare names so sedulously gathered together by dry-as-dust compilers.
In furniture, makers’ names have become household words. Chippendale, Sheraton, Hepplewhite have created styles of their own. Of Sheraton we have personal details piquant enough to add fresh lustre to his satinwood creations. ”

“ The bases are reminiscent of the floral refinements of the Charles II and James II periods. The bowls have a rotundity and exquisite sprightliness in form, relieved by chasing that defies the woodworker and cannot be imitated by the potter. The knobs appertain so strongly to the metal-worker that they are inimitable. This set, therefore, stands as being exceptionally interesting in exhibiting the work of the artist in silver kept on a high level apart from extraneous influences. ”

“ Although nothing in silver has emulated the modern long, thin-necked, glass claret jugs with silver mounts, yet there has always been a distinction between ale, the popular drink of the people, and wine of foreign origin more pleasing to the palate of the connoisseur. ”

“ He was not in the least aware that a piece of metal with the King’s head on it was a commodity of which the price was governed by the same laws which govern the price of metal fashioned into a spoon or a buckle, and that it was no more in the power of Parliament to make the kingdom richer by calling a crown a pound than to make the kingdom larger by calling a furlong a mile. ”

“ Octavius Morgan, the pioneer of the study of hall-marks, says in 1852: “Every person who is possessed of an article of gold or silver plate has most probably observed a small group of marks stamped on some part of it. Few however have, I believe, regarded them in any other light than as a proof that the article so marked is made of the metal which it professes to be, and that the metal itself is of a certain purity. ”

“ We may imagine that our candlesticks of the year 1750 held the flickering wax candles which were guttering when the dawn broke when our great-great-grandfather lost his fortune at cards in the county of —, or maybe it was somebody else’s grandfather. But this is in the realms of fancy, and the fortune is literally fabulous. Why are there no George Morlands in the silversmith’s craft? Cannot the guilds dig out their romantic history from their archives? Just to think that our designer of candelabra and flagons ran a fine career on Hounslow Heath with gamesters and fighting men ”

“ With old china, and probably with old furniture, the taste for collecting is oftentimes an acquired one, but it is in the Englishman’s blood to ruminate over his old plate, and the hall-marks of the assay offices in London and in the provinces, in Scotland and in Ireland, have been placed thereon with aforethought. The plate closet is cousin to the strong-box, inasmuch as the coin of the realm and gold and silver plate have been subjected to stringent laws extending over a period of five hundred years. ”

“ The heavy ornament of lion’s head and handles, the massive gadrooned edge of the scalloped design, the bowl deeply fluted, the embossed medallion with coat of arms, and the foot enriched with beaded ornament, all indicate that such specimens were regarded as the Standing Cup, so to speak, of the period.
With the punch-bowl an end practically is made of silver vessels for drinking. The sovereignty of glass was now established. Porcelain and even earthenware had made inroads into the silversmith’s domain. The age of modernity was at hand. ”

“ The silver plate of a country undoubtedly reflects the manners and customs of its users. The growth of luxury undoubtedly has had its influence upon the manufacture of a great number of silver articles employed in everyday use. But although the field be larger, the class of articles, to say nothing of the average artistic quality, differs in the same measure as the habits of the users. The antiquary of the twenty-first century who turns to the late nineteenth century will find marmalade-pots and pickle-forks in lieu of posset-pots and punch-ladles. ”

“ The coin, which among other things should be the{131} stamp of veracity, does not agree with the hall-marks—and one lie in a piece damns it in its entirety. It is a sad story, but punch-ladles seem to be the first step in obliquity of the faker. They are easy to make, and apparently easy to palm off on the young collector. There are hundreds of people who have a punch-ladle with a history—not the real history—but they have not a punch-bowl. It is like having a bridle without a horse. ”

“ The lurid background completes a terrible indictment of the Government of the day—the ghouls lifting a man into a coffin with a naked child at the foot, the bandaged heads and lifted stools of a drunken mob, the drunken man in a wheelbarrow with more gin being poured down his throat. ”

“ They are proudly jealous of their reputation and rightly anxious to guard the public interest. There is no doubt that “the laws of hall-marking, scattered as they are over a multitude of statutes, are highly technical, and not the least necessary reform is their consolidation.” The Goldsmiths’ Company was once a trade guild, but this is the twentieth century, and they exist solely in the public interest. To-morrow they could be swept aside by an Act of Parliament, and all silver could be assayed and stamped at the Royal Mint or by Government assayers. ”

“ The rivalry between coffee and tea and the attempt of chocolate to obtain supremacy are interesting side-lights in social history, tinctured by political bias and prejudice. Coffee claims the field first. The honour of introducing tea remains between the English and the Dutch, while that of coffee rests between the English and the French. ”

“ The fashioning of gold and silver plate being so intimately related to questions of currency and affecting the coin of the realm, it is not surprising to find that the tendency of legislation has been to relieve the old guilds of much of their former power. We find that one of the recommendations of the Select Committee of the House of Commons on hall-marking, in 1879, was that the whole of the assay offices should be placed under the supervision of the Royal Mint, in order that a uniform standard of quality should be guaranteed. ”

“ Without digressing too widely into economic questions which threatened to paralyse commerce and to destroy the allegiance to William III, it is of essential interest to the collector of old silver plate to realize the conditions which rendered the Higher Standard Mark of the Britannia and the lion’s head erased necessary to prevent financial disasters of considerable magnitude. ”

“ The convolutions of the smaller handle are suggestive of the glass-worker. Here the potter and the silversmith join hands, for the handle of the more elaborate piece is suggestive of the glass-worker too. It must be remembered that Venetian glass-workers had settled in London under the patronage of the Duke of Buckingham in the days of Charles II. It is not unnatural to suppose, seeing that the glass-blower, the silversmith, and the potter were all working in competition, that they cast an eye on each other’s work. ”

“ The George II sugar caster with the Exeter hall-marks for 1728, made by Richard Freeman, is unique. Its beautifully shaped body is exquisitely suited to the technique of the metal-worker. The plain band at base and the graduated foot carry out the symmetrical form, and help to give effect to the cover with its delightful pierced ornament. It will be observed that this pierced design is exactly in keeping with the reticence of the rest of the piece, and the baluster knob, almost acorn-like in form, completes a very fine piece of craftsmanship. ”

“ The old silver salt cellars of Queen Anne and Georgian days are another story. The elegance of form and the quaint reticence of design make them desirable acquisitions for any modern dining-table.
During the past twenty years, when the furniture of Chippendale and of Sheraton has been collected with such avidity to refurnish old homes and to give age to modern mansions, the demand for old silver accessories of the table has been equally great. In consequence, spurious silver of later date, with the old hall-marks cunningly inserted, has appeared in great{150} quantities. ”

“ There are spoons and spoons. From the early elaborations in Apostle, or Maidenhead, or lion-sejant forms to the later styles of rat-tail teaspoon or the fanciful caddy-spoon there is choice enough to suit the idiosyncrasies of most collectors. Indeed, it may be said that the collecting of spoons is a thing apart. Silversmiths themselves became specialists when they made spoons; the craftsmen were on a plane by themselves, and so it comes to pass that the collector, following in their wake a couple of centuries afterwards or more, has to give special study to this branch of silver plate. ”

“ The public, caring more for the lion, et cetera, than for X, Y, and Z, know no better; as for the real makers the public know nought. But we ask, is this the way to encourage our workers in plate? Syndicates have no bowels of compassion, but assay offices might be supposed to minister to the interests of the art of the worker in precious metals. To kill or to stifle individuality is a crime against Art. If Sheraton had been a silversmith his name would have been unknown.
By law it has been determined that the initials of the maker shall appear on each article of silver assayed ”

“ It is admitted that, from a public point of view, the hall-marks stamped on silver by the various assay offices have a very definite meaning. “Our hall-marks afford a guarantee of value to which, it is not to be wondered at, considerable importance attaches, since these goods may safely be regarded as an investment.” The true function of the Goldsmiths’ Company is a protective one—protective in the interests of honest traders, protective in the interests of public buyers. We suggest that they might perform an educational service by throwing open their assay office to public inspection. ”

“ Artists and writers have made the punch-bowl of the eighteenth century familiar. The china collector well knows that it was not always of silver. The amateur collector is always to the fore with his punch-ladle with silver bowl and ebony handle, and the said ladle must always have a coin of the period soldered at the bottom of the bowl to denote its genuineness. ”

“ There is young Fanny Quirp, who is a lady by birth, and she has brought herself to the perfection of never suffering the tincture of her tea to be spoilt by whitening, nor the flavour to be adulterated by a grain of sweet. ”

“ In the old days when costume determined the gentle from the simple, when demarcations of rank were definitely pronounced, when men wore feathers in their hats and swords at their sides, when retainers and menials sat at the same board with their lord and lady, the customs of the table were not our customs. ”

“ In silver collecting there is always a sure road. In furniture or in china there is no puissant company of furniture experts or china moralists. The buyer may be advised to use his common sense and demand that the dealer put on the invoice the exact description of the goods he is selling. If after expert advice the purchaser finds he has been deceived, he has his remedy in a court of law. But with silver, there are the hall-marks determined by law for the protection of the public. ”

“ The baluster ornament is common to the silver cup and to the brass candlestick. No two of these candlesticks are alike, the baluster ornament varying according to the individual mood of the maker. It is the same factor which predominates in Jacobean furniture with turned rails with varying ornaments. The chain is complete. The silversmith, the brass-worker, the woodcarver, and the glassblower each found, according to his technique, this style of ornament pleasing to his mind. Accordingly the collector who comes after may see for himself the influence each has had on the other. ”

“ A cold climate demands hot cordials. There was no elaborate system of hot-water pipes in the draughty, cold, and damp Elizabethan mansions with their rush-covered floors. It was a necessity, apart from long and deep potations of strong drinks, to take a nightcap or caudle-cup of something hot. In the eighteenth century the drinking of hot punch superseded this. But in the sixteenth and seventeenth centuries the custom of the posset of hot sack with spices and having milk and eggs, as a supper beverage was universal. Not that the posset-cup was idle in the daytime. ”

“ Had this been the case, modern millionaires would have been in competition with one another to secure precious records, as it is only a rich man who can afford to gather together a representative collection of old salt cellars. But for all that, the collector with small means, who is less ambitious, may obtain specimens that are of exceptional interest, and in his quest he may, even in these days when collectors scour Europe, come across an example which may be antique. ”

“ Scottish marks are in a field by themselves. The art of the silversmith has always been on a high level in Scotland, and the statutes governing the marks are many in number, and extend over a long period from as early as the fifteenth century. Besides Edinburgh and Glasgow, the number of Scottish hall-marks is legion. ”

“ The caster never attempted to be other than reticent. It was like a poor relation at the table in company with the magnificence of the centre-piece. The pierced work in subdued ornament pales before the elaboration in such a centre-piece as that illustrated on page 279, with the London hall-marks for 1761. The basket is of elaborate and graceful form, and the eight branching candlesticks mark it as a sumptuous specimen. The feet are elaborate and in rococo style. It belongs to the early years of George III, of Garrick, of Macklin, and of Foote. ”

“ The unwritten, and never to be written, history of such a piece is not the least which appeals to us nowadays. We may revere the exquisite craft of the designer. But there is a tribute we owe to the sagacious custodians who, possibly in fear of death, preserved this for posterity. ”

“ The spout of the potter always presented greater difficulties in technique than did the spout of the silversmith. In early types of porcelain it is in form similar to the two silver examples of teapot and tea-kettle of 1745 and 1746. But the potter could not attain to the flutings and chased ornament of{249} the worker in metal. The silversmith’s spout soldered on the body, has spreading ornament eminently suitable to afford strength at the juncture. ”

“ A piece of plate with Sir Robert Vyner’s initials of the year 1675 would possess added value for this touch of nature which makes the whole world kin.
On the look-out for links connecting the silversmith with things human we find an interesting shop card of Ellis Gamble, to whom by his own desire young Hogarth was apprenticed and learned to engrave on silver plate. It may be imagined that he was not an “Idle Apprentice,” and his early work with the graver on the flagons and tankards in Mr. Gamble’s shop should stimulate research. ”