Aubrey F. G. Bell

Summary

Aubrey F. G. Bell The Magic of Spain

In Spain the sharpness of contrasts precludes any feeling of weariness or satiety. There are regions of luxuriant growth and African sun bounded by mountains of eternal snow. Through the plain a river glides among orange groves and grey olives; in the shaded patios of the city silver fountains keep the air cool and fresh, and on the coldest night in winter the temperature is still some degrees above the freezing-point. Yet here, in the most fiery heat of summer, we may lift up our eyes to the hills and look on the snowy sierra against the deep blue of the sky
Source: Gutenberg

Aubrey F. G. Bell The Magic of Spain

They are the epithets of Holofernes describing a Spaniard; and what could be more Spanish than El Greco’s mingling of keen vision and realistic power as a portrait painter with an intense, unfailing spiritualism; than his vehement, almost tortured desire to shun the common and the vulgar—not the mere seeking after originality but a wish to be sincere, to express his own soul? His manner has not the sensuous richness of Italy but a Castilian, nay, a Toledan austerity. It is as “a sword of Spain, the ice-brook’s temper.”
Source: Gutenberg

Aubrey F. G. Bell The Magic of Spain

After the treeless, unsheltered mountains and plains, and the compact villages of Castille or Navarre, the villages of the Basque country, set in green, and, to quote the phrase of a Spanish novelist, “all in the peace of prayer,” are a delightful contrast. The sky has no longer the harsh intensity of the Castilian, and everywhere is a softness of outlines; everywhere, too, is green—the green of chestnut and oak, of maize and trefoil, meadow and cider-orchard.
Source: Gutenberg

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