Pío Baroja

Pío Baroja

Summary

Portrait of Pío Baroja Pío Baroja,  Youth and Egolatry

“ Even Dicenta did not. His Juan José is not a workingman, but a young gentleman. He has nothing of the workingman about him beyond the label, the clothes, and such externals.
Galdós, for example, can make the common people talk; Azorín can portray the villages of Castile, set on their arid heights, against backgrounds of blue skies; Blasco Ibáñez can paint the life of the Valencians in vivid colours with a prodigality that carries with it the taint of the cheap, but none of them has penetrated into the popular soul. That would require a great poet, and we have none.
”
Source: Gutenberg

Portrait of Pío Baroja Pío Baroja,  Youth and Egolatry

“ My failure to be practical, together, perhaps, with an undue obtuseness of perception, brings me face to face with critics of two sorts: one, esthetic; the other, social.
My esthetic critics say to me:
"You have not perfected your style, you have not developed the technique of your novels. You can scarcely be said to be literate."
I shrug my shoulders and reply: "Are you sure?"
My social critics reproach me for my negative and destructive views. I do not know how to create anything, I am incapable of enthusiasm, I cannot describe life, and so on.
”
Source: Gutenberg

Portrait of Pío Baroja Pío Baroja,  Youth and Egolatry

“ CERVANTES, SHAKESPEARE, MOLIÈRE For a long time, I thought that Shakespeare was a writer who was unique and different from all others. It seemed to me that the difference between him and other writers was one of quality rather than of quantity. I felt that, as a man, Shakespeare was of a different kind of humanity; but I do not think so now. Shakespeare is no more the quintessence of the world's literature than Plato and Kant are the quintessence of universal philosophy. ”
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature