Summary

Portrait of Benedetto Croce Benedetto Croce Theory & History of Historiography

And then the 'great epochs' must not be forgotten, the 'centuries' in which the arts nourished as the result of the work of wise men and monarchs, les quatre âges heureux of history. But between this sporadic good, weak or acting covertly, or appearing only for a time and then disappearing, and that of the new era, the quantitative and energetic difference is such that it is turned into a qualitative difference: a moment comes when men learn to think, to rectify their ideas, and past history seems like a tempestuous sea to one who has landed upon solid earth.
Source: Gutenberg

Portrait of Benedetto Croce Benedetto Croce Theory & History of Historiography

Christianity sets the whole of previous history in opposition to itself, to condemn it, while hardly admiring here and there some consoling ray of itself. What does it matter that religion, and especially Christianity, was then the target for fiercest blows and shame and mockery, that all reticence was abandoned, and people were no longer satisfied with the discreet smile that had once blossomed on the lips of the Italian humanists, but broke out into open and fanatical warfare?
Source: Gutenberg

Portrait of Benedetto Croce Benedetto Croce Theory & History of Historiography

History is living chronicle, chronicle is dead history; history is contemporary history, chronicle is past history; history is principally an act of thought, chronicle an act of will. Every history becomes chronicle when it is no longer thought, but only recorded in abstract words, which were once upon a time concrete and expressive. The history of philosophy even is chronicle, when written or read by those who do not understand philosophy: history would even be what we are now disposed to read as chronicle, as when, for instance, the monk of Monte Cassino notes: 1001.
Source: Gutenberg

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