Bernard Capes

Summary

Bernard Capes The story of Fifine (1914)

There comes a time in the life of the spiritual enthusiast, the most ardent pursuer of the sublime and the ideal, when, in the presence of some ravishing beauty, not perfect, yet halting only on the threshold of perfection, he must pause and say to himself, ‘The conditions of this life are fatal to my success. Why for ever drop the substance for the shadow?’ This passion for the elusive, the unattainable, has perhaps its closest analogy in human love, by way of which, though we may not reach the stars, we may attain to a nearer view of them.
Source: Gutenberg

Bernard Capes The story of Fifine (1914)

A poplar or two hung above the river for foreground; there was hardly a ripple there to shake the pictured rushes; it was as lovely an impression of antique peace as I have ever encountered. Fifine, after we had passed it all, made a little gesture to me, and I came and sat by her side, when she stole her hand into mine. I thought I knew what was in her heart—something emotional, a little piteous, the sense of a loveliness spent and of doubts to come. I pressed the soft palm in reassurance.
And so at last—Paris. The benediction of the season remained with us to the end.
Source: Gutenberg

Bernard Capes The story of Fifine (1914)

For Fifine was tidy: have I never remarked upon it? Our difference in that respect was her perpetual lament. She could never be at ease in the presence of casual litter; a piece of paper flung in a grate, a picture hung crooked on a wall, would spoil the whole æsthetic value of a room to her; she folded her clothes at night; her toilette accessories had each its definite place on her dressing table, and any natural disorder was no sooner done with than she must be removing its evidences. Tidying-up was an obsession with her; I used to laugh at her about it, but it was no good.
Source: Gutenberg

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