“ For full two or three minutes he hunted for the Stonewalls, for the line he wanted to rejoin; and for those precious minutes no beat of rifle fire arose, no hail of bullets swept the ground over which the attack should pass. Then a machine gun somewhere in the haze ahead began to chatter noisily, and, quickly, one after another joined it and burst into a streaming fire that rose rapidly to a steady and unbroken roar. Shells began to sweep and crash over the open too, and Kentucky ducked down into a deep shell-hole for cover. ”
Boyd Cable
Summary
Boyd Cable’s Grapes of Wrath is a harrowing war novel depicting the visceral reality of trench warfare from the perspective of an infantryman. Set during a pivotal battle, the narrative follows characters like Kentucky, Pug, and Larry as they navigate the chaos of artillery barrages, machine-gun fire, and close-quarters combat against German forces.
Through vivid descriptions of shells, grenades, and the relentless advance over parapets, Cable captures the brutal endurance and psychological strain of battle, emphasizing the dehumanizing spectacle of war. The novel’s focus on the Stonewalls—a unit embodying collective resolve—highlights themes of sacrifice, comradeship, and the surreal horror of modern warfare, culminating in a portrayal of conflict as both a physical and existential ordeal.
Quotes from Grapes of wrath (Boyd Cable)
“ Half of them were shot down in that last dozen yards, and as they opened out and went clawing and scrambling at the parapet with rifles banging almost in their faces, hand grenades lobbed over to roll down amongst their feet and explode in showers of flying splinters. The few who for the moment escaped these dangers, knowing that every instant they remained in the open outside the trench carried almost a certainty of sudden death, flung desperately at its parapet, over and down into it among the German bayonets, without stopping to count or heed what the hand-to-hand odds might be. ”
“ Indeed, the feeling was so nearly akin to that, the whole thing was so like shooting into driven and helpless game, the idea was so strong that the Germans were there as a target to be shot at, and he there as a shooter, that it gave him a momentary shock of utter astonishment when a bullet hit the parapet close to him and threw a spurt of mud in his face, and almost at the same instant another hit glancing on the top of his helmet, jolting it back on his head and spinning it round until the chin-strap stopped it with an unpleasant jerk on his throat. ”
