C. R. Conder,
The city of Jerusalem
(1909)
“ The silence is broken suddenly by the musical cry of the Muedhdhin on the minaret of a mosque—a long, rolling, and tremulous note, echoing all over Jerusalem, as he “testifies there is no God but God,” and calls to the faithful that “prayer is better than sleep.” The simple dignity of Islâm contrasts with the superstition, the hurried services, the tawdry magnificence of degraded Eastern churches, and we understand how it was that the reformed faith of Muḥammad conquered Asia. The second scene is that of the summer noon, which presents to us an epitome of the long history of the Holy City. ”
