Charles Dickens

Charles Dickens

Summary

Portrait of Charles Dickens Charles Dickens Reprinted Pieces

In the Autumn-time of the year, when the great metropolis is so much hotter, so much noisier, so much more dusty or so much more water-carted, so much more crowded, so much more disturbing and distracting in all respects, than it usually is, a quiet sea-beach becomes indeed a blessed spot. Half awake and half asleep, this idle morning in our sunny window on the edge of a chalk-cliff in the old-fashioned watering-place to which we are a faithful resorter, we feel a lazy inclination to sketch its picture.
Source: Gutenberg

Portrait of Charles Dickens Charles Dickens Reprinted Pieces

In the afternoons, you see no end of salt and sandy little boots drying on upper window-sills. At bathing-time in the morning, the little bay re-echoes with every shrill variety of shriek and splash—after which, if the weather be at all fresh, the sands teem with small blue mottled legs. The sands are the children’s great resort. They cluster there, like ants: so busy burying their particular friends, and making castles with infinite labour which the next tide overthrows, that it is curious to consider how their play, to the music of the sea, foreshadows the realities of their after lives.
Source: Gutenberg

Portrait of Charles Dickens Charles Dickens Reprinted Pieces

It is very agreeable on an idle summer morning to pursue this market-stream from the hill-top. It begins, dozingly and dully, with a few sacks of corn; starts into a surprising collection of boots and shoes; goes brawling down the hill in a diversified channel of old cordage, old iron, old crockery, old clothes, civil and military, old rags, new cotton goods, flaming prints of saints, little looking-glasses, and incalculable lengths of tape; dives into a backway, keeping out of sight for a little while, as streams will, or only sparkling for a moment in the shape of a market drinking-shop
Source: Gutenberg

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