Charles Kingsley

Charles Kingsley

Hypatia/27 (1853)

Summary

Portrait of Charles Kingsley Charles Kingsley Hypatia/27 (1853)

Showing me that the beautiful was to mingle unshrinking, for duty's sake, with all that is most foul and loathsome; that the sublime was to stoop to the most menial offices, the most outwardly-degrading self-denials; that to be heavenly was to know that the commonest relations, the most vulgar duties, of earth, were God's commands, and only to be performed aright by the help of the same spirit by which He rules the Universe; that righteousness was to love, to help, to suffer for—if need be, to die for—those who, in themselves, seem fitted to arouse no feelings except indignation and disgust?
Source: Wikisource

Portrait of Charles Kingsley Charles Kingsley Hypatia/27 (1853)

You know but one side of the medal, Hypatia, and the fairer; I have seen its reverse as well as its obverse. Through every form of human thought, of human action, of human sin and folly, have I been wandering for years, and found no rest—as little in wisdom as in folly, in spiritual dreams as in sensual brutality.
Source: Wikisource

Portrait of Charles Kingsley Charles Kingsley Hypatia/27 (1853)

But tell me one thing more. Is it not the property of every man to be a son? For you can conceive of a man as not being a father, but not as not being a son.'
'Be it so.'
'Then this archetype must be a son also.'
'Whose son, Raphael?'
'Why not of "Zeus, father of gods and men"? For we agreed that it— we will call it he, now, having agreed that it is a person—could owe its existence to none but God Himself.'
'And what then?' said Hypatia, fixing those glorious eyes full on his face, in an agony of doubt, but yet, as Raphael declared to his dying day, of hope and joy.
Source: Wikisource

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