Christopher Morley

Christopher Morley

Summary

Portrait of Christopher Morley Christopher Morley Shandygaff

I cannot light up in a wind. It is too precious a rite to be consummated in a draught. I hide behind a tree, a wall, a hedge, or bury my head in my coat. People see me in the street, vainly seeking shelter. It is a weakness, though not a shameful one. But set me in a tavern corner, and fill the pouch with "Quiet Moments" (do you know that English mixture?) and I am yours to the last ash.
I wonder after all what was the sweetest pipe I ever smoked? I have a tender spot in memory for a fill of Murray's Mellow that Mifflin and I had in the old smoking room of the Three Crowns Inn at Lichfield.
Source: Gutenberg

Portrait of Christopher Morley Christopher Morley Shandygaff

This vein of brutality and resolute ugliness that one finds here and there in Brooke's work is not wholly amiss nor unintelligible. Like all young men of quick blood he seized gaily upon the earthy basis of our humanity and found in it food for purging laughter. There was never a young poet worth bread and salt who did not scrawl ribald verses in his day; we may surmise that Brooke's peers at King's would recall many vigorous stanzas that are not included in the volume at hand. The few touches that we have in this vein show a masculine fear on Brooke's part of being merely pretty in his verse.
Source: Gutenberg

Portrait of Christopher Morley Christopher Morley Shandygaff

In a world reeling and smoking with the insane fury of war, one nation should stand unshaken for the message of the spirit, for the glory of humanity; for the settlement of disputes by other means than gunpowder and women's tears. That was his dream. To that he had clung.
He shifted grimly in his chair, and took up the pen.
What a long, heart-rending strain it had been! His mind went back to the golden August day when the telegram was laid on his desk announcing that the old civilization of Europe had fallen into fragments.
Source: Gutenberg

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