D. H. Lawrence

D. H. Lawrence

Summary

Portrait of D. H. Lawrence D. H. Lawrence Kangaroo

At tea-time it began to rain again. Somers sat on the verandah looking at the dark green sea, with its films of floating yellow light between the ruffled waves. Far back, in the east, was a cloud that was a rainbow. It was a piece of rainbow, but not sharp, in a band; it was a tall fume far back among the clouds of the sea-wall.
“Who is there that you feel you are with, besides me—or who feel themselves with you?” Harriet was asking. “No one,” he replied. And at the same moment he looked up and saw the rainbow fume beyond the sea. But it was on a dark background, like a coloured darkness.
Source: Gutenberg

Portrait of D. H. Lawrence D. H. Lawrence Kangaroo

The whole of Labour, to-day, sees the situation clear as daylight. So does the whole of Capital. And yet the whole of the daylight situation has really nothing to do with it. It is the god-urge which drives them mad, the unacknowledged, unadmitted, non-existent god-urge.
They may become a mob. A mob is like a mass of bullocks driven to frenzy by some bott-fly, and charging frantically against the tents of some herdsman, imagining that all the evil comes out of these tents. There is a gulf between the quivering hurt in the unconscious soul, and the round, flat world of the visible existence.
Source: Gutenberg

Portrait of D. H. Lawrence D. H. Lawrence Kangaroo

It is a knot that can never be untied; it can only, like a navel string, be broken or cut.
For the moment, however, he said nothing. But Somers knew from his dreams what she was feeling: his dreams of a woman, a woman he loved, something like Harriet, something like his mother, and yet unlike either, a woman sullen and obstinate against him, repudiating him. Bitter the woman was grieved beyond words, grieved till her face was swollen and puffy and almost mad or imbecile, because she had loved him so much, and now she must see him betray her love.
Source: Gutenberg

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