Summary

Portrait of Edgar Allan Poe Edgar Allan Poe Poe’s Tales of Mystery and Imagination… (1935)

A novice in the game generally seeks to embarrass his opponents by giving them the most minutely lettered names; but the adept selects such words as stretch, in large characters, from one end of the chart to the other. These, like the over-largely lettered signs and placards of the street, escape observation by dint of being excessively obvious; and here the physical oversight is precisely analogous with the moral inapprehension by which the intellect suffers to pass unnoticed those considerations which are too obtrusively and too palpably self-evident.
Source: Wikisource

Portrait of Edgar Allan Poe Edgar Allan Poe Poe’s Tales of Mystery and Imagination… (1935)

What is all this boring, and probing, and sounding, and scrutinizing with the microscope, and dividing the surface of the building into registered square inches—what is it all but an exaggeration of the application of the one principle or set of principles of search, which are based upon the one set of notions regarding human ingenuity, to which the Prefect, in the long routine of his duty, has been accustomed?
Source: Wikisource

Portrait of Edgar Allan Poe Edgar Allan Poe Poe’s Tales of Mystery and Imagination… (1935)

The mathematical reason has long been regarded as the reason par excellence.”
“‘Il y a à parier,’” replied Dupin, quoting from Chamfort, “‘que toute idée publique, toute convention reçue, est une sottise, car elle a convenu au plus grand nombre.’ The mathematicians, I grant you, have done their best to promulgate the popular error to which you allude, and which is none the less an error for its promulgation as truth. With an art worthy a better cause, for example, they have insinuated the term ‘analysis’ into application to algebra.
Source: Wikisource

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