Summary

Edmund Selous The Bird Watcher in the Shetlands (1905)

Looking at these fat, fluffy, odd-looking creatures as they sit motionless from hour to hour, and then at the grown bird sailing on spread wings, all grace and beauty,—a being that seems born of the air—the change from one to the other—from the fixed to the free phase of life—seems hardly less or more remarkable than that by which a chrysalis becomes a butterfly. Not the egg itself differs more from this last stage of its inmate—this free flitting, gliding thing—than does the round, squat, stolid chick, which in appearance is nearer to an egg than to a full-blossomed bird.
Source: Wikisource

Edmund Selous The Bird Watcher in the Shetlands (1905)

Handsome—or, at any rate, outré—as the puffin's beak is, it is hardly, if at all, more striking to the eye than is this vivid gleam of one bright colour, revealed suddenly in a flash-light by this distension of the mandibles. It is like the sword gleaming out of the scabbard, whose brightness comes as a surprise, whereas the latter, however rich and ornate, is a permanent quantity, and so lacks the charm of novelty. The fact that the puffin's beak is a superlative ornament does not, in my opinion, render it unlikely that there should be another one lying within it.
Source: Wikisource

Edmund Selous The Bird Watcher in the Shetlands (1905)

There is a constant clang and scream, an eternal harsh music—harmony in discord—through and above which, dominating it as an organ does lesser instruments—or like "that deep and dreadful organ-pipe, the thunder"—there rolls, at intervals, one of the most extraordinary voices, surely, that ever issued from the throat of a bird: a rolling, rumbling volume of sound, so rough and deep, yet so full, grand, and sonorous, that it seems as though the very cliffs were speaking—ending sometimes in something like a gruff laugh, or, as some will have it, a bark.
Source: Wikisource

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