Edmund William Gosse

Summary

Edmund William Gosse 1911 Encyclopædia Britannica, Volume 7… (1911)

The poetry of Cowley rapidly fell into a neglect as unjust as the earlier popularity had been. As a prose writer, especially as an essayist, he holds, and will not lose, a high position in literature; as a poet it is hardly possible that he can enjoy more than a very partial revival. The want of nature, the obvious and awkward art, the defective melody of his poems, destroy the interest that their ingenuity and occasional majesty would otherwise excite.
Source: Wikisource

Edmund William Gosse 1911 Encyclopædia Britannica, Volume 7… (1911)

Not more than one or two are good throughout, but a full posy of beauties may easily be culled from them. The long cadences of the Alexandrines with which most of the strophes close, continued to echo in English poetry from Dryden down to Gray, but the Odes themselves, which were found to be obscure by the poet’s contemporaries, immediately fell into disesteem. The Mistress was the most popular poetic reading of the age, and is now the least read of all Cowley’s works.
Source: Wikisource

Edmund William Gosse 1911 Encyclopædia Britannica, Volume 7… (1911)

In 1638 Love’s Riddle and a Latin comedy, the Naufragium Joculare, were printed, and in 1641 the passage of Prince Charles through Cambridge gave occasion to the production of another dramatic work, The Guardian, which was acted before the royal visitor with much success. During the civil war this play was privately performed at Dublin, but it was not printed till 1650. It is bright and amusing, in the style common to the “sons” of Ben Jonson, the university wits who wrote more for the closet than the public stage.
Source: Wikisource

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