Thomas Davidson

“ If we look in Longfellow’s poetry for originality of thought, profound psychological analysis or new insights into nature, we shall be disappointed. Though very far from being hampered by any dogmatic philosophical or religious system of the past, his mind, until near the end, found sufficient satisfaction in the Christian view of life to make it indifferent to the restless, inquiring spirit of the present, and disinclined to play with any more recent solution of life’s problems. ”

“ Even in his last years, when loss of friends and continual physical pain made life somewhat “cold, and dark and dreary” for him, he never complained, lamented or blamed the arrangements of nature, and the only way in which it was possible to know that he suffered was through his ever-increasing delight in the health and strength of younger men. His whole nature was summed up in the lines of his favourite poet:—
See his Life . . . with Extracts from his Journals and Correspondence, by Samuel Longfellow, and the “Riverside” edition of the prose and poems (Boston, 11 vols., 1886–1890) . ”

“ Longfellow’s external life presents little that is of stirring interest. It is the life of a modest, deep-hearted gentleman, whose highest ambition was to be a perfect man, and, through sympathy and love, to help others to be the same. ”

“ A man in intellect and courage, yet without conceit or bravado; a woman in sensibility and tenderness, yet without shrinking or weakness; a saint in purity of life and devotion of heart, yet without asceticism or religiosity; a knight-errant in hatred of wrong and contempt of baseness, yet without self-righteousness or cynicism; a prince in dignity and courtesy, yet without formality or condescension; a poet in thought and feeling, yet without jealousy or affectation ”

“ The subjects of Longfellow’s poetry are, for the most part, aspects of nature as influencing human feeling, either directly or through historical association, the tender or pathetic sides and incidents of life, or heroic deeds preserved in legend or history. He had a special fondness for records of human devotion and self-sacrifice, whether they were monkish legends, Indian tales, Norse drápas or bits of American history. ”

“ He held art to be essentially synthetic, creative and manifesting, not analytic, destructive or questioning. Hence he never strove to draw from nature some new secret, or to show in her relations never discovered before. ”

“ No matter what form his works assume, whether the epic, as in Evangeline, The Courtship of Miles Standish and Hiawatha, the dramatic, as in The Spanish Student, The Golden Legend and The Mask of Pandora, or the didactic, as in The Psalm of Life and many of the minor poems; they are all subjective. This is not the highest praise that can be given to works of art; but it implies less dispraise in Longfellow’s case than in almost any other, by reason of his noble subjectivity. ”

“ In 1849 Longfellow published a novel of no great merit, Kavanagh, and also a volume of poems entitled The Seaside and the Fireside, a title which has reference to his two homes, the seaside one on the charming peninsula of Nahant, the fireside one in Cambridge. One of the poems in this collection, “Resignation,” has taken a permanent place in literature; another, “Hymn for my Brother’s Ordination,” shows plainly the nature of the poet’s Christianity. His brother, the Rev. Samuel Longfellow, was a minister of the Unitarian Church. ”

“ What he would have been as a poet, if, instead of visiting Europe in early life and drinking in the spirit of the middle ages under the shadows of cathedral towers, he had, like Whittier, grown old amid American scenery and life, we can only guess from his earlier poems, which are as naturalistic, fresh and unmystical as could be desired ”

“ The poet was buried two days afterwards near his “three friends” in Mount Auburn cemetery. The regret for his loss was universal; for no modern man was ever better loved or better deserved to be loved.
Longfellow was made an LL.D. of Bowdoin College in 1828, at the age of twenty-one, of Harvard in 1859 and of Cambridge (England) in 1868, and D.C.L. of Oxford in 1869. In 1873 he was elected a member of the Russian Academy of Science, and in 1877 of the Spanish Academy.
In person, Longfellow was rather below middle height, broad shouldered and well built. ”

“ In the following year he gave to the world the Indian Edda, The Song of Hiawatha, a conscious imitation, both in subject and metre, of the Finnish epic, the Kalevala, with which he had become acquainted during his second visit to Europe. The metre is monotonous and easily ridiculed, but it suits the subject, and the poem is very popular. In 1858 appeared The Courtship of Miles Standish, based on a charming incident in the early history of the Plymouth colony, and, along with it, a number of minor poems, included under the modest title, Birds of Passage. ”

“ Slight as the story is, it is worked out into one of the most affecting poems in the language, and gives to literature one of its most perfect types of womanhood and of “affection that hopes and endures and is patient.” Though written in a metre deemed foreign to English ears, the poem immediately attained a wide popularity, which it has never lost, and secured to the dactylic hexameter a recognized place among English metres. ”

“ Its spaciousness and free rural aspect, its old graveyards and towering elms, its great university, its cultivated society and its vicinity to humane, substantial, busy Boston, were all attractions for such a man. In 1837–1838 several essays of Longfellow’s appeared in the North American Review, and in 1839 he published Hyperion: a Romance, and his first volume of original poetry, entitled Voices of the Night. Hyperion, a poetical account of his travels, had, at the time of its publication, an immense popularity, due mainly to its sentimental romanticism. ”

“ He returned to America in 1829, and remained six years at Bowdoin College (1829–1835) , during which he published various text-books for the study of modern languages. In his twenty-fourth year (1831) he married Miss Mary Story Potter, one of his “early loves.” ”