Edward Bellamy

Edward Bellamy

Summary

Portrait of Edward Bellamy Edward Bellamy The Old Folks' Party

Henry caught Jessie around the waist, Frank Nellie, and George Mary, and with one of the little girls at the piano, up and down the room they dashed to the merriest of waltzes in the maddest round that ever was danced. There was a reckless abandon in their glee, as if the lust of life, the glow and fire of youth, its glorious freedom, and its sense of boundless wealth, suddenly set free, after long repression, had intoxicated them with its strong fumes.
Source: Gutenberg

Portrait of Edward Bellamy Edward Bellamy The Old Folks' Party

Ten years will see us very different persons. What though an old dotard calling himself Henry Long is stumping around fifty years hence, what is that to me? I shall have been dead a half century by that time.”
“The old gentleman you speak so lightly of will probably think more tenderly of you than you do of him,” said Jessie.
“I don't believe it,” answered Henry. “In fact, if we were entirely true to nature next Wednesday, it would spoil the fun, for we probably should not, if actually of the age we pretend, think of our youth once a year, much less meet to talk it over.”
Source: Gutenberg

Portrait of Edward Bellamy Edward Bellamy The Old Folks' Party

Middle age is the period of most diversity, when individuality is most pronounced. The members of the club observed with astonishment that, however affectionately we may regard old persons, we no more think of becoming like them than of becoming negroes. If we catch ourselves observing their senile peculiarities, it is in a purely disinterested manner, with a complete and genuine lack of any personal concern, as with a state to which we are coming.
They could not help wondering if Henry were not right about people never really growing old, but just changing from one personality to another.
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature