Edward Carpenter

Edward Carpenter

Summary

Portrait of Edward Carpenter Edward Carpenter From Adam's Peak to Elephanta (1892)

A faint odor is wafted from the reviving herbage. The flat earth—which255 was a mere horizon line in the midday light—now fades into nothingness; the immense and mystic sky, hanging over on every side like a veil, opens back into myriads and myriads of stars—and it requires but little imagination to think that this planet is only an atom in the vast dome of heaven. To the Hindu, Life is that blinding sun, that fever of desire and discomfort, and night is the blessed escape, the liberation of the spirit—its grateful passage into Nirwana and the universal.
Source: Gutenberg

Portrait of Edward Carpenter Edward Carpenter From Adam's Peak to Elephanta (1892)

The ancient city of Mádura, though with a population of 60,000, is even more humble in appearance than Tanjore. At first sight it looks like a mere collection of mud cabins—though of course there are English bungalows on the outskirts, and a court-house and a church and an American mission-room and school, and the rest. The weavers are a strong caste here; they weave silk (and cotton) saris, though with failing trade as against the incoming machine-products of capitalism—and you see their crimson-dyed pieces stretched on frames in the streets.
Source: Gutenberg

Portrait of Edward Carpenter Edward Carpenter From Adam's Peak to Elephanta (1892)

One might stand for hours thus catching the wind of one’s own speed—so soft, so mild, so warm—the delicate aroma of the sea, the faint far suggestion of the transparent air and water, wafting, encircling one round. And indeed all my journey has been like this—so smooth, so unruffled, as if one had not really been moving. I have several times thought, and am inclined to think even now, that perhaps one has not left home at all, but that it has been a fair panorama that has been gliding past one all these months.
Source: Gutenberg

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