Edward Herbert Cameron

Summary

Edward Herbert Cameron Of Yankee granite (1952)

Their festival is a heartening occasion to witness, for it is American democracy at its best.
Through it all the monument rises above its unadorned settings; except that the crown of the hill has been removed, it could still be the New England hilltop farm on which the battle was fought. The obelisk rises in the simplicity of its straight lines and clean angles, with no curves, and with the somber gray of its harsh-textured masonry unrelieved by any greenery of foundation shrubbery.
Source: Gutenberg

Edward Herbert Cameron Of Yankee granite (1952)

Now, Savage had taken a contract to finish the monument for $43,800, from the elevation of 85 feet to the top. He was well trained in masonry, for he had worked on the job since the start under Willard, whose rigid ideas would not let him take a contract himself for profit on such a patriotic project, but who agreed to superintend the work of Savage to the finish. Savage had the traits of a good contractor—energy, resourcefulness, honesty—and the sense that knew how each detail must be executed toward the end of producing a job to be proud of.
Source: Gutenberg

Edward Herbert Cameron Of Yankee granite (1952)

Today, 110 years after its capstone was put in place, the Bunker Hill Monument stands as an impressive testimonial to the conservative judgment of its designer, Loammi Baldwin, and the painstaking fidelity of the man who supervised its construction, Solomon Willard. An engineer familiar with its maintenance states that there is no evidence of settlement, and that a check by surveyor’s transit revealed no signs of misalignment.
Source: Gutenberg

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