Elizabeth Von Arnim

Elizabeth Von Arnim

Summary

Portrait of Elizabeth Von Arnim Elizabeth Von Arnim The Solitary Summer

No one can possibly love the summer, the dear time of dreams, more passionately than I do; yet I have no desire to prolong it by running off south when the winter approaches and so cheat the year of half its lessons. It is delightful and instructive to potter among one's plants, but it is imperative for body and soul that the pottering should cease for a few months, and that we should be made to realise that grim other side of life. A long hard winter lived through from beginning to end without shirking is one of the most salutary experiences in the world.
Source: Gutenberg

Portrait of Elizabeth Von Arnim Elizabeth Von Arnim The Solitary Summer

The tea rose beds round the sun-dial facing these borders are sheets of white, and golden, and purple, and wine-red pansies, with the dainty red shoots of the tea roses presiding delicately in their midst. The verandah steps leading down into this pansy paradise have boxes of white, and pink, and yellow tulips all the way up on each side, and on the lawn, behind the roses, are two big beds of every coloured tulip rising above a carpet of forget-me-nots. How very much more charming different-coloured tulips are together than tulips in one colour by itself!
Source: Gutenberg

Portrait of Elizabeth Von Arnim Elizabeth Von Arnim The Solitary Summer

Nature herself is untidy, and in a garden she ought to come first, and Art with her brooms and clipping-shears follow humbly behind. Art has such a good time in the house, where she spreads herself over the walls, and hangs herself up gorgeously at the windows, and lurks in the sofa cushions, and breaks out in an eruption of pots wherever pots are possible, that really she should be content to take the second place out of doors. And how dreadful to meet a gardener and a wheelbarrow at every turn—which is precisely what happens to one in the perfect garden.
Source: Gutenberg

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