Summary

Portrait of Ellis Parker Butler Ellis Parker Butler Perkins of Portland: Perkins The Great

From time to time some one in the West will unpack a trunk that has stood for years in some garret, and espying a faded newspaper laid in the bottom of the trunk, will glance at it curiously, see the advertisement of the lop-eared Andalusian guinea-pigs, and send Silas Boggs ten dollars.
For an advertisement, like sin, does not end with the day, but goes on and on, down the mighty corridors of time, and, like the hall-boy in a hotel, awakes the sleeping, and calls them to catch a train that, sometimes, has long since gone, just as the lop-eared Andalusians have gone.
Source: Gutenberg

Portrait of Ellis Parker Butler Ellis Parker Butler Perkins of Portland: Perkins The Great

I am not proud, and I have but little fear of ridicule, but a man is only human. Fifth Avenue is not exactly the place where a man wishes to lie on the fiat of his back. To be explicit, I may say that when I want to lie on my back in the open air, I prefer to lie on a grassy hillside, with nothing above me but the blue sky, rather than on the asphalt pavement of Fifth Avenue, with the engine-room of an automobile half a foot above my face.
Perkins smiled encouragingly.
Source: Gutenberg

Portrait of Ellis Parker Butler Ellis Parker Butler Perkins of Portland: Perkins The Great

He would stand in front of the plot of weeds that was the site of the opera-house, and get all enrapt and enthusiastic just thinking how fine that opera-house would be some day; and then he would imagine he was on our street-car line going down to the library. But the thing Perkins liked best was to go to church. Whenever he passed one of the corner lots that we had set aside for a church, he would take off his hat and look sober, as a man ought when he has suddenly run into an ennobling religious atmosphere.
Source: Gutenberg

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