Emma Elizabeth Thoyts

Summary

Emma Elizabeth Thoyts The Key to the Family Deed Chest… (1903)

But the fashion of handwriting and its changes are very forcibly brought home to us when confronted for the first time with some old deed or paper; and a feeling of helplessness reduces the amateur to the verge of despair as the pages of unintelligible hieroglyphics are spread out, as unfamiliar as Sanscrit or Egyptian characters. But perseverance conquers all difficulties.
Every generation has its own particular type of writing.
Source: Gutenberg

Emma Elizabeth Thoyts The Key to the Family Deed Chest… (1903)

The most youthful form of writing [17] is not, therefore, indicative of talent or general capacity, and seldom shows any originality.
All needless flourishes and ornamentation are the result of egotism and vanity. But be it remembered that any virtue exaggerated at once becomes a fault; that whereas a little conceit is necessary to stimulate ambition, the same in too great excess becomes egotistic vanity. Genius is apt to overestimate its own depth and originality, yet without any self-appreciation there is danger of a lack of effort; despair prevents perseverance, and is a bar to any success.
Source: Gutenberg

Emma Elizabeth Thoyts The Key to the Family Deed Chest… (1903)

The personality of a writer can never be wholly separated from his works. And in any question of date or authenticity of a document being called in question, the value of graphology and its theories will be found of the utmost importance; for the various changes in the style of handwriting, or in the spelling of words, although perhaps so minute and gradual as seldom to be remarked, are, nevertheless, links in a chain which it would be extremely hard to forge successfully so as to deceive those acquainted with the matter and well versed in its peculiarities.
Source: Gutenberg

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