John Earle

“ Under the shadow of great names myths are apt to spring, that is to say, unconscious authorless inventions, growing up of themselves round any person or thing which happens to be the subject of much talk and little knowledge. Had the conditions been favourable in England as they were in France, the myths about Alfred might have grouped into an epic cycle, as those about Charlemagne did; and, had the eleventh century produced a great heroic poem analogous to the “Chanson de Roland,” it would have formed a graceful and much-needed coping to the now too disjointed pile of Anglo-Saxon literature. ”

“ A fresh spirit of poetry had risen in the region where Roman and Arabic fancy met, and, after kindling France, was coming to England on the wings of the French language. With the new romances came new models of poetic form. A long struggle ensued between the native garb of English poetry and that of the French. Both lived together until the fourteenth century, when the victory of the French form was finally determined in Chaucer; and France set the fashion in poetry to England, as it did generally to modern Europe. ”

“ When the wind rises, the waves mingle hurly-burly with the clouds, the air is stifling and rumbles with thunder. To thee alone we look for relief; darest thou explore the monster’s lair, I will reward the adventure with ancient treasures, with coils of gold if thou return alive!”
Said Beowulf, the son of Ecgtheow:—“Sorrow not, experienced sire! Better avenge a friend than idly deplore him:—each must wait the end of life, and should work while he may to make him a name—the best thing after life! Bestir thee, guardian of the folk! let us be quick upon the track of Grendel’s housemate. ”

“ This great movement has only time to take shape enough to declare itself when it is again interrupted by troublous times, invasions, and wars, and changes of dynasty, and before any length of peace is again allowed, by the decisive and final blow of the Norman Conquest, which brought with it more than a change of dynasty. It changed the whole body of the governing and influential classes, not from one stratum to another within the Saxon nation, but by the introduction of a ruling class from another nation, speaking another language, and one of a different family. ”

“ Charles brought learning to France by drawing from Anglia and from Italy the best plants for his new field; he inherited the civilising labours of the Saxon missionaries in his dominions beyond the Rhine; he founded a centre of power and a centre of education together; and France remained the chief seat of learning throughout the Middle Ages.73 The glory of a European position in literature can no longer be claimed for England. ”

“ Since we left the primary poetry we have been on the track of a literature whose spring was in book-learning. A foreign erudition had thrown the lore of the native minstrel into the shade. But some relics of domestic material reappear with the new gush of popular song in the 13th century. Among the mass of stories which fill that time, we find here and there an old English tale, and sometimes it is a translation back from the French. The romance of King Horn is one of these. The names of the personages, and the general course of the plot—the Saracens notwithstanding—are essentially Saxon. ”

“ But in the poem of Lactantius, it is so curiously, and, as it were, significantly elaborated, that we hardly know whether we are reading a Christian allegory or no. Allegory has always been a favourite form with Christian writers, and more than one cause may be assigned for it. Already there was, in the taste of the age when the Christian literature arose, a tendency to symbolism, which is seen outside the pale of Christianity. Moreover, the long time in which the profession of Christianity was dangerous, favoured the growth of symbolism as a covert means of mutual intelligence. ”

“ We are seventeen sisters voiceless born; six others, half-sisters, we exclude from our set; children of iron by iron we die, but children too of the bird’s wing that flies so high; three brethren our sires, be our mother as may; if any one is very eager to hear, we tell him, and quickly give answer without any sound.61
Aldhelm is the first of the Anglo-Latin poets, and he was a classical scholar at a time when to be so was a great distinction. Both in prose and verse, his style has the faults which belong to an age of revived study. ”

“ But from Hadrian’s coming a new literary era commences. For more than a hundred years our island was the seat of learning beyond any other country in the world of the West. Even Greek learning, extinct elsewhere, was revived for a time; and Bede, whose childhood had corresponded to the opening of this new activity, looked back on it when he was old as a glorious time, and he put it on record that he had known many scholars to whom both the Latin and Greek languages were as their mother tongue. ”

“ But the savour of the Gospel was first received through the teaching of the Irish missionaries, of whom the foremost name is Aidan. Never did any people embrace Christianity with such entire heart as the Irish; and much of their lofty devotion was communicated to the Angles whom they converted.
Upon this, when they were prepared to profit by it, supervened the mission of Theodore and Hadrian, who implanted the seed of learning, with great ability, at an opportune moment, and with the most abundant results. ”

“ It was the other great factor of European literature. It had begun to be cultivated later than the Saxon, but then it had ages of culture at its back. The strength of this language was in its poetry—just the element which had stagnated in England. The French taught not only the English but all Europe in poetry. All modern European poetry is after the French model. ”

“ The Chronicle form is the foundation of the structure of historical literature. We are no longer content to study history now in one or two admirable specimens of mature perfection, but rather we seek to know history as a subject. All who have this aim must study Chronicles, and nowhere can this kind of documentary record be found in a form preferable to that of the Saxon Chronicles. ”

“ The present life of man in the world, O king, is, by comparison with that time which is unknown, like as when you are sitting at table with your aldermen and thanes in the winter season, the fire blazing in the midst, and the hall cheerfully warm, while the whirlwinds rage everywhere outside and drive the rain or the snow ”

“ Almost all early literature is conventional, because the spontaneous is not esteemed and is not preserved. But whatever might have happened under other conditions, the fact now is that the literature of our first Christian era is almost entirely lost. It perished in the Danish invasions. The works of Beda are, indeed, preserved, and in one sense they make a large exception to the general statement, yet the exception is not one that is of great import for our immediate purpose. His works, even when he is upon a local subject, breathe little of local curiosity or interest. ”

“ I add a translation of the piece quoted:—“Whilst that weather is so bad, the ships that are driven about on the sea (death is unwelcome, men love to live) look about them and see this fish; they ween it is an island. They are very glad of it, and with all their might they draw towards it, make the ships fast, and all go ashore. With stone and steel and tinder they make a good fire on this monster, and warm themselves well, and eat and drink; the whale feels the fire and makes them sink, for he quickly dives to the bottom, he kills them all without wound.” ”

“ There is yet one form of literature that claims our attention. The Greek romances of love and marvellous adventure were probably discountenanced in Christian families, and we may regard the secondary Apocrypha as a kind of pious substitute for such entertaining works of fiction. But there was one of these old heathen novels that held its ground, that can be traced in more than one early monastic library, and that was translated into every vernacular—Anglo-Saxon first. ”

“ This adorned the poetry of Virgil; but when it began to spread to the prose, though the æsthetic effect might be beautiful in a masterpiece, it was apt to be embarrassing in weaker hands. Æsthetic prose appears in its most intense and most perfect form in Tacitus, the great historian of the Silver Age. As new tastes and fashions grew, the oldest and purest models were neglected, and, however strange it may sound, Cicero and Cæsar were antiquated long before the end of the first century.
The extreme limit of the classical period of Latin literature is the middle of the second century. ”

“ The poetry which is manifestly of Latin material we will call the secondary poetry. It is not asserted that we have two sorts of poetry so entirely separate and distinct the one from the other, that the one is purely native and untinged with foreign influence, while the other springs from mere imitation. The two sorts are not so utterly contrasted as that. Even the secondary poetry is not without originality. On the other hand the primary poetry betrays here and there the Latin culture and the Christian sentiment ”

“ He is the scholar of the age, the type of that set whom Bede delighted to recall, who knew Latin and Greek like their mother tongue. He is the father of Anglo-Latin poetry. He made a zealous study of the Latin metres, and he commended the pursuit to other scholars. His Greek knowledge manifests itself everywhere: not always with a good effect, according to present taste; but in a manner which is of historical value as demonstrating his real familiarity with the Greek language. ”

“ These Chronicles are remarkable for a certain unconscious ease and homeliness. Even when, in the course of their progress, they grow more copious and mature, they hardly discover any consciousness of literary dignity. Of the Latin writings of the Anglo-Saxon period this could not be said. This naïveté is naturally more observable in the earlier parts, which seem like rescued antiquities, which might have been built into their place when, in the latter end of the eighth or beginning of the ninth century, the importance of the national and vernacular chronicle began to be realised. ”

“ Reflections and discourses proper to the occasion are spoken by Wiglaf, such as chiding of the timorous who stood aloof, and gloomy anticipations of the future.
And so this noble poem moves on to its close, ending, like the “Iliad,” with a great bale-fire. Two closing lines record like an epitaph the praise of the dead in superlatives; not as a warrior, but as a man and a 134ruler: how that he was towards men the mildest and most affable, towards his people he was most gracious and most yearning for their esteem. ”

“ I have lived with men on fair and equal terms; I have done no violence, caused no friends to perish, and that is a comfort to one deadly wounded who is soon to appear before the Ruler of men. Now, beloved Wiglaf, go thou quickly in under the hoary stone of the dragon’s vault, and bring the treasures out into the daylight, that I may behold the splendour of ancient wealth, and death may be the softer for the sight. ”

“ When they have lighted their fires, and are getting comfortable, then all goes down. This is an apologue of misplaced confidence in things earthly.
But the great and absorbing subject of poetry in this age is Hagiography. We still see the old discredited apocryphal literature in occasional use, but it retires before the more approved medium of popular edification, the Lives and Miracles of the Saints. These offer material very apt for poetical treatment. Even the Homilies, when on the lives of Saints, are often clothed in the poetic garb. ”

“ There is a prominent characteristic of our laws which they have in common with all primitive codes. These all differ from maturer collections of laws in their very large proportion of criminal to civil law. Sir Henry Maine says that, on the whole, all the known collections of ancient law are distinguished from systems of mature jurisprudence by this feature,—that the civil part of the law has trifling dimensions as compared with the criminal.101 This is strikingly seen in the Kentish laws; and even in the West Saxon laws a very little study will enable the reader to verify this characteristic. ”

“ The spirit of this new literature was characterised by a larger and more comprehensive humanity. It was animated by those principles of fellow-feeling, compassion, and hopefulness, which were to prepare the way for the structure of human society upon new foundations. This, rather than the classical, is the Latin literature which we have to follow; this is the preparation for modern literature, and its course will be found to land us in the Saxon period. ”

“ Here more than in any other piece of Anglo-Saxon poetry we feel near the mediæval drama. Almost every canto is like a scene; and little adaptation would be required to put it upon the stage. The narrative at the beginning is like a prologue, and then after the close of the piece we have an epilogue, in which the author speaks about himself, and weaves his name with Runes into the verses in the manner already described.
The briefest fragment in the Vercelli book is about False Friendship; and it contains a long-drawn simile in which the bee is rather hardly treated. ”

“ It is a debatable question whether any Roman culture lived through the Saxon conquest.
The Saxon conquest of Britain was certainly, on the whole, a destructive one, and it has been justly contrasted with the Frankish conquest of Gaul; where the conquerors quickly assimilated with the conquered. The relics of Roman civilisation which the Saxons adopted, were indeed few. ”

“ Their 127haunt is in the remote land, in the crags of the wolf, the wind-beaten cliffs, and untrodden bogs, where the dismal stream plunges into the drear abyss of an awful lake, overhung with a dark and grisly wood rooted down to the water’s edge, where a lurid flame plays nightly on the surface of the flood—and there lives not the man who knows its depth! ”

“ The poem on the “Miracles of St. Cuthberht” is extant, but the “Book of Hymns in Various Metre or Rhythm” is lost, and so also is his “Book of Epigrams in Heroic or Elegiac Metre.” But we are not left without an authentic specimen of his hymnody, as he has incorporated in his history the Hymn of Virginity in praise of Queen Ethelthryð, the foundress of Ely. His extant poetry proves him to have been an accomplished scholar and a man of cultivated taste rather than of poetic genius. But we could afford to lose many Latin poems in consideration of the slightest vernacular effort of such a man. ”

“ If with the above we embrace in our view the Laws of this reign and the evidence of contemporary work in the Chronicles, we must be struck with the extent of this great muster of native literature. But we shall hardly do it justice unless we remember that this is the first national display of the kind in the progress of modern Europe. Native poetry had been cultivated in the Anglian period, and there had been a vernacular apparatus to assist the study of Latin, but of a varied and comprehensive literature in English 206or any other European vernacular, we find no trace until now. ”