Summary

Encyclopaedia Britannica The reader's guide to the Encyclopaedia Britannica (1913)

All the bustle of the great cities, all the wheels that turn in the mills, all the intricate mechanism of industry and commerce, all the world’s work and thought and happiness, depend upon the mysterious and inimitable processes by which the brown soil yields green growth. For all the progress science has made, we are no nearer to replacing these processes by any short cut of chemistry than were the first farmers whose husbandry is recorded in history. If all the little roots ceased for one year to do their work in the dark, the human race would hopelessly starve to death.
Source: Gutenberg

Encyclopaedia Britannica The reader's guide to the Encyclopaedia Britannica (1913)

It is not the case with the new Britannica. For the Britannica is full of information about current public questions; and even its treatment of the past, remote or near, is from a fresh and modern view-point, and is of the utmost value as throwing the light of history on the problems of modern politics and every-day life. The spirit of to-day is an intensely wide-awake and inquisitive one, and people are no longer willing to believe that “whatever is, is right”—much less that a thing is right because it has been, no matter how long.
Source: Gutenberg

Encyclopaedia Britannica The reader's guide to the Encyclopaedia Britannica (1913)

Science consists in knowing, Art consists in doing. What I must do in order to know, is Art subservient to Science: what I must know in order to do, is Science subservient to Art.
After speaking of dancing, music, drawing, painting, sculpture, architecture, poetry, the author says:
Of all these arts, the end is not use, but pleasure, or pleasure before use, or at least pleasure and use conjointly. In modern language, there has grown up a usage which has put them into a class by themselves under the name of the Fine Arts, as distinguished from the Useful or Mechanical Arts.
Source: Gutenberg

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