F. W. Mott

“ But suppose there were an island inhabited only by deaf mutes, upon which a ship was wrecked, and the sole survivors of the wreck were infants who had never used the voice except for crying, would these infants acquire articulate speech and musical vocalisation? I should answer, No. They would only be able to imitate the deaf mutes in their gesture language and possibly the musical sounds of birds; for the language a child learns is that which it hears; they might however develop a simple natural language to express their emotions by vocal sounds. ”

“ Helen Keller's brain, as shown by her accomplishments in later life, was a remarkable one; not long after birth she became deaf and blind, consequently there was practically only one avenue of intelligence left open for the education of that brain, viz. the tactile kinæsthetic. But the tactile motor sense is the active sense that waits upon and contributes to every other sense. The hand is the instrument of the mind and the agent of the will; consequently the tactile motor sense is intimately associated in its structural representation in the brain with every other sense. ”

“ The most intelligent persons may never be able to sing in tune, or even time; the latter (sense of rhythm) is much more easily acquired by practice than the former (correct intonation) . This is easily intelligible, for rhythmical movement appertains also to speech and other acts of human beings, e.g. walking, dancing, running, swimming, etc.; moreover, rhythmical periodicity characterises the beat of the heart and respiration.
But how does a trained singer learn to sing a song or to take part in an opera? ”

“ Ordinary breathing is an automatic act governed by the respiratory centre in the medulla. The respiratory centre is double, each side being controlled or inhibited by higher centres on the opposite side of the brain. Voluntary costal breathing, such as is employed in singing, is of cerebral origin, and controlled by centres on the opposite side of the brain, the impulses being sent down to the respective centres for the associated movements of the muscles of articulation, phonation, and breathing, in the same way as they are sent to the centres for the movements of the arm or leg. ”

“ In spoken language, at any rate, it is not the vocal instrument that has been changed, but the organ of mind with its innate and invisible molecular potentialities, the result of racial and ancestral experiences in past ages. Completely developed languages when studied from the point of view of their evolution are stamped with the print of an unconscious labour that has been fashioning them for centuries. A little consideration and reflection upon words which have been coined in our own time shows that language offers an abstract and brief chronicle of social psychology. ”

“ For whereas correct intonation depends upon the innate musical ear, which is able to control and regulate the tensions of the minute muscles acting upon the vocal cords, it is intelligence which alters and changes the form of the resonator by means of movement of the lips, tongue, and jaw in the production of articulate speech. The simple musical instrument in the production of phonation is bilaterally represented in the brain, but as a speaking instrument it is unilaterally represented in right-handed individuals in the left hemisphere and in left-handed individuals in the right hemisphere. ”

“ In speech, and more especially in singing, there is an art of breathing. Ordinary inspiration and expiration necessary for the oxygenation of the blood is performed automatically and unconsciously. But in singing the respiratory apparatus is used like the bellows of a musical instrument, and it is controlled and directed by the will; the art of breathing properly is fundamental for the proper production of the singing voice and the speaking voice of the orator. It is necessary always to maintain in the lungs, which act as the bellows, a sufficient reserve of air to finish a phrase ”

“ It would be hard to describe or define the qualities that make a voice appeal to the multitude. Different singers with a similar timbre of voice and register may sing the same song correctly in time, rhythm, and phrasing, and yet only one of them may produce that sympathetic quality necessary to awaken not only the intellectual but the affective side of the mind of the hearers. Undoubtedly the effects produced upon the mind by dramatic song largely depend upon circumstances and surroundings, also upon the association of ideas. ”

“ The predominant sense in man is that of sight; man is pre-eminently visual. Prior to the acquisition of speech he communicated with his fellows by the aid of gestures and movement of the mouth and face; he appealed to their eyes. Their facial 'grimaces,' fulfilled and elucidated by gesture, became signs for others; they fixed their attention upon them. When articulate sounds came into being, these lent themselves to a more or less conventional language by reason of their acquired importance." For support of this hypothesis the case of non-educated deaf-mutes is cited. ”

“ Another theory advanced to explain localisation of speech and right-handedness in the left hemisphere is that the heavier organs, lung and liver, being on the right side have determined a mechanical advantage which has led to right-handedness in the great majority of people. This theory has, however, been disposed of by the fact that cases in which there has been a complete transposition of the viscera have not been left-handed in a larger proportion of cases. The great majority of people, modern and ancient, civilised and uncivilised, use the right hand by preference. ”

“ A musical speaking voice denotes generally a good singing voice, and it must be remembered that articulation cannot be separated from phonation in the psychic mechanism. In speaking, we are unconscious of the breath necessary for the production of the voice. Not so, however, in effective singing, the management of the breathing being of fundamental importance; and it is no exaggeration to say that only the individual who knows how to breathe knows how to sing effectually. A musical ear and sense of rhythm are innate in some individuals ”

“ The images of auditory and visual symbols in the growth of speech replace in our minds concrete images and they permit of abstract thought. It is dependent primarily upon the ear, an organ of exquisite feeling, whose sensations are infinite in number and in kind. ”

“ It is remarkable that there are hardly any sensory nerve endings in the vocal cords and muscles of the larynx, consequently it is not surprising to find that the ear is the guiding sense for correct modulation of the loudness and pitch of the speaking as well as the singing voice. In reading music, visual symbols produced by one individual awakens in the mind of another mental auditory perceptions of sound varying in pitch, duration, and loudness. ”

“ Increased loudness of the voice will not improve its carrying power if the resonator is improperly used; it will often lead to a rise of pitch and the production of a harsh, shrill tone associated with a sense of strain and effort. Aikin claims that by studying the whispering voice we can find for every vowel sound that position of the resonator which gives us the maximum of resonance. By percussing2 the resonator in the position for the production of the various vowel sounds you will observe a distinct difference in the pitch of the note produced. ”

“ This can be explained by the fact that there is in consequence of attention an increased outflow of innervation currents to special lower executive centres, thence to the muscles, but every change of tension in the speech muscles is followed by reciprocal incoming impressions appertaining to the sense and feeling of the movement. The more intense the sense of movement, the greater will be the effect upon consciousness. In fact, a person who reads and thinks by articulating the words, does so because experience has taught him that he can concentrate his attention more perfectly ”

“ A person, on the one hand, may be endowed with a grand vocal organ, but be a failure as a singer on account of incorrect intonation, of uncertain rhythm or imperfect diction; on the other hand, a person only endowed with a comparatively poor vocal instrument, but knowing how to use it to the best advantage, is able to charm his audience; incapable of vigorous sound production, he makes up for lack of power by correct phrasing and emotional expression. ”

“ Since destructive lesions of the speech zone of the left hemisphere in right-handed persons leads to inability to revive the memory pictures of the sounds of words as heard in ordinary speech, the revival of visual impressions as seen in printed or written characters, and of the kinæsthetic (sense of movement) impressions concerned with the alterations of the minute tensions of the muscle structures employed in the articulation of words, it must be presumed that the left hemisphere in right-handed persons is dominant in speech and silent thought ”

“ A number of different forms of resonators can be used to illustrate this law; a law indeed which is of the greatest importance in connection with the mechanism of the human voice. Although notes are of the same loudness and pitch when played on different instruments or spoken or sung by different individuals, yet even a person with no ear for music can easily detect a difference in the quality of the sound and is able to recognise the nature of the instrument or the timbre of the voice. This difference in the timbre is due to harmonics or overtones. ”

“ Had man been limited to articulate speech he could not have made the immense progress he has made in the development of complex mental processes, for language, by using written verbal symbols, has allowed, not merely the transmission of thought from one individual to another, but the thoughts of the world, past and present, are in a certain measure at the disposal of every individual. ”

“ A distinction is generally made in physics between sound and noise. Noise affects our tympanic membrane as an irregular succession of shocks and we are conscious of a jarring of the auditory apparatus; whereas a musical sound is smooth and pleasant because the tympanic membrane is thrown into successive periodic vibrations to which the auditory receptor (sense organ of hearing) has been attuned. To produce musical sounds, a body must vibrate with the regularity of a pendulum, but it must be capable of imparting sharper or quicker shocks to the air than the pendulum. ”

“ Likewise, if there is a destruction of the fibres proceeding from the brain centres to the lower medullary and spinal centres, the will is still able to act upon the muscles of phonation and breathing of both sides of the body because of the intimate connection of the lower medullary and spinal centres by association fibres.
Experiments on animals and observations on human beings show that the centres presiding over the muscles of the larynx are situated one in each hemisphere, at the lower end of the ascending frontal convolution in close association with that of the tongue, lips, and jaw. ”

“ I trust my attempt to give a sketch of the mechanism of the human voice, and how it is produced in speech and song, may prove of interest to the general public, and I even hope that teachers of voice production may find some of the pages dealing with the brain mechanism not unworthy of their attention. ”

“ The pattern of the folds or convolutions shows a general similarity in all human beings, certain fissures being always present; and around these fissures which are constantly present are situated fibre systems and communities of neurones having particular functions (vide fig. 16.) Thus there is a significance in the convolutional pattern of the brain. But just as there are no two faces alike, so there are no two brains alike in their pattern; and just as it is rare to find the two halves of the face quite symmetrical, so the two halves of the brain are seldom exactly alike in their pattern. ”

“ No less intimate must be the connection between the auditory word-centre and the visual word-centre; they must necessarily be called into association actively in successive units of time, as in reading aloud or writing from dictation. Educated deaf mutes think with revived visual symbols either of lips or fingers. Words are to a great extent symbols whereby we carry on thought, and thinking becomes more elaborate and complex as we rise in the scale of civilisation, because more and more are verbal symbols instituted for concrete visual images. ”

“ When we desire to produce a particular vocal sound, a mental perception of the sound, which is almost instinctive in a person with a musical ear, awakens by association motor centres in the brain that preside over the innervation currents necessary for the approximation and minute alterations in the tensions of the vocal cords requisite for the production of a particular note. ”

“ The best method of breathing is that which is most natural; there should not be a protruded abdomen on the one hand, nor an unduly inflated chest on the other hand; the maximum expansion should involve the lower part of the chest and the uppermost part of the abdomen on a level of an inch or more below the tip of the breastbone; the expansion of the ribs should be maintained as long as possible. In short phrases the movement may be limited to an ascent of the diaphragm, over which we have not the same control as we have of the elevation of the ribs ”

“ The essential difference between the articulate speech of the parrot and the human being is that the parrot merely imitates sounds, it does not employ these articulate sounds to express judgments; likewise there are imbecile human beings who, parrot-like, repeat phrases which are meaningless. Articulate speech, even when employed by a primitive savage, always expresses a judgment. ”

“ The proper mode of breathing comes almost natural to some individuals; to others it requires patient cultivation under a teacher who understands the art of singing and the importance of the correct methods of breathing.
The more powerfully the abdominal muscles contract the laxer must become the diaphragm muscle; and by the law of the reciprocal innervation of antagonistic muscles it is probable that with the augmented innervation currents to the expiratory centre of the medulla there is a corresponding inhibition of the innervation currents to the inspiratory centre (vide fig. 18, page 101) . ”