Francis Loring Payne

Summary

Francis Loring Payne The Story of Versailles

Versailles at last was finished--and what a spectacle and monument to selfish exaltation it was! "There is an intimate relation between the King and his château," wrote Imbert de Saint-Amand. "The idol is worthy of the temple, the temple of the idol. There is always something immaterial, something moral so to speak, in monuments, and they derive their poesy from the thought connected with them. For a cathedral, it is the idea of God. For Versailles, it is the idea of the King. Its mythology is but a magnificent allegory of which Louis XIV is the reality. It is he always and everywhere.
Source: Gutenberg

Francis Loring Payne The Story of Versailles

From the high arched windows of this glittering Grand Gallery great personages of past and present epochs have surveyed the gardens, fountains and broad walks that are the crowning glory of Versailles.
In the time of the Grand Monarque more than a thousand jets of water cast their silver spray against the greenery of hedge and grove. "Nothing is more surprising," said a chronicler of Louis the Fourteenth's reign, "than the immense quantity of water thrown up by the fountains when they all play together at the promenades of the King. These jets are capable of using up a river."
Source: Gutenberg

Francis Loring Payne The Story of Versailles

At the right side, still looking from the rear of the chateau, the King's beauty-loving eyes dwelt upon the North Terrace, with its rich growth of greenery, on the graceful Fountains of the Pyramid and the Dragon, and above all on the magnificently soaring fountains of Neptune's Basin. At his left were the Terrace of Flowers, the two stairways that flanked the Orangery, chief work of Mansard and especial pride of Louis, and the lake in the small park named for the Swiss Guards. Nowhere, it is safe to say, could a place be found that embraced so many beautiful garden views at one time.
Source: Gutenberg

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