Frank Belknap Long

Frank Belknap Long

The cottage (1954)

Summary

Portrait of Frank Belknap Long Frank Belknap Long The cottage (1954)

The children were made of some new-fangled plastic material which Durkin intensely disliked. But very lifelike dolls they were, and just the right size to lend wings to the illusion of a happy family about to break bread together.
"That's me!" Emily cried excitedly.
She raised a window, reached inside, and lifted "herself" out. The doll had dark hair and brown eyes, and Emily was an ash blond. But childhood is not a time for carping, and it has been well established that a completely unspoiled imagination can be sent soaring by a fancied resemblance in the twinkling of an eye.
Source: Gutenberg

Portrait of Frank Belknap Long Frank Belknap Long The cottage (1954)

Robert said.
For an instant the man and the two children stood with the doll house between them. They were each aware that they had started a game that must be played out now to the bitter end, no matter how frightening it became.
"We'll soon know!" Durkin said.
Durkin bent swiftly, and without glancing at the children, picked up the house, and raised it until the ground floor windows were on a level with his eyes.
He stared in.
Children do not self-consciously engage in gruesome pranks—even when they hate.
Source: Gutenberg

Portrait of Frank Belknap Long Frank Belknap Long The cottage (1954)

Robert protested.
"Doesn't it? I suppose not. You could turn on your own father just as well on Thanksgiving day. That's how grateful you are."
Emily spoke up defiantly then. "You're not Robbie's father," she said. "You never could be."
"I tried my best to be a good father to Robbie," Durkin said, lowering his voice in mock humility. "You can't claim I didn't try. But there comes a time when discipline's needed. No punishment's severe enough for a boy who'd like to see his own father roasted like a chestnut in a red-hot fire."
Source: Gutenberg

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