Frank Owen, The Scarlet Hill — Part II: The Pear Garden (1941)
“ At last, the painting was finished, a scene to enchant the eye and make description impotent—a broad sweep of pastoral landscape, mountains, and woodland in which birds could be heard singing. The sun was warm and from a dark maze of bushes came the lazy drum of crickets. Ming Huang, conscious of the increased warmth of the air, fanned himself languidly to call the wind. It was as though the walls of the room had entirely disappeared, giving way to a vista that enslaved the eye. Wu Tao-tzu pointed to a grotto hidden in the base of a tall mountain. "Within grows a spirit," he said. ”
